September 2026 News


October 23, 2026  •  7 minute read

This month’s issue lives at the intersection of imagination and structure, exploring stories where vision and the transformation of material conditions together build new futures. Our new essay series makes culture visible as a front in the fight for justice. An article on ethical treatment and fees for artists offers collaborative tools for artists’ well-being. Our Praxis Project increases the capacity for organizing between arts and social justice groups with four new awardees. A Louisiana composer builds connections between contemporary music and audiences. NPN announces a new co-leadership model that puts shared power into practice… And more!

Why Culture Matters to Justice: Culture and the Moment

Black and white photograph of a large group of children at a public event in a park. The children are standing in a circle around a hanging piñata, where a small blindfolded boy is swinging a bat in an attempt to hit it. In the background, dozens of people are visiting around tables or seated on blankets spread over the grass. An enlarged orange spiral shape taken from the Culture Justice Institute logo is overlaid on this image, tinting parts of it orange while leaving the rest black and white.
Celebration with Piñata in historic La Alma in Denver, CO, from the CJI essay “Chicano Cultural Resistance, a Case Study Across Generations” by Tanya Mote. Image from Denver Public Library Archives.

One’s beliefs about the world are transmitted through culture, both popular and intimate. But living in a time of authoritarianism and proto-fascism means culture has been hijacked. If we are going to inspire collective action and liberation, we must intervene on the level of belief by investing in ways of being that counter the current hegemonic culture, and by uplifting cultural practices rooted in communalism, care, and justice.

The five essays in our new series “Why Culture Matters to Justice” are designed to introduce an expanded engagement with culture. This is an invitation to wrestle with the content and concepts offered and allow your agreement, disagreement, and/or curiosity to sharpen your understanding of the role of culture in our lives, movements, and society.

If we take culture seriously as a front in the fight for liberation and justice, then we can no longer think about culture as something that just happens or solely as something that is passed down. Culture is a living, evolving organism that shapes us all and has the capacity to be shaped through intention.

It is time to grow our understanding of, and delve more deeply into, cultural strategy.

(Adapted from “Culture and the Moment” by Sage Crump.)

Read the Culture Justice Institute’s new essay series, “Why Culture Matters to Justice.”

Standards of Care: NPN’s Ethical Treatment & Artist Fees

An illustration of a Black woman with an afro and gold earrings, and wearing a white shirt, smiling with her eyes closed in the center of the image. Words in large hand-drawn white text outlined in black radiate from either side of the woman's head, with smaller hand-written words in white text layered between the larger words. Starting in the bottom left corner and going clockwise, the words are "vision," "power," "honor", "wellbeing," "restoration," "respect," "reimagined," "control," "value," "artists," creativity," "care," and "ethical." The background is a chaotic mix of soft teal and orange textured shapes, brown lines, and small red spots.
Illustration by Taslim van Hattum.

At the core of NPN’s work is a commitment to building both financial and relational infrastructure, rooted in reciprocity between artists, presenters, and audiences, and ongoing accountability to ethics and equity in arts presenting.

NPN’s ethical treatment rider, which we’re freely sharing for adaptation and re-use, is an example of our values in practice. To receive funding through our Creation & Development Fund, NPN, co-commissioners, and artists must all agree to equitable pay and ethical practices. This rider is embedded in our contracts, providing a model for good relationships and ensuring both legal and relational tools to protect the artists’ well-being. The rider also guides NPN’s role as intermediary if conflicts arise.

We encourage folks to share these tools and to copy and adapt them to their own values and needs.

(Adapted from “NPN’s Ethical Treatment Rider: A Collaborative Tool for Artists’ Well-Being,” by Riley Yaxley.)

The “Ethical Treatment of Artists” rider, as well as a “Recommended Minimum Artist Fees” rider, are available to download from our website.

NPN Names Sage Crump and Caitlin Strokosch Co‑Executive Directors, Putting Its Commitment to Shared Power Into Practice

NPN Co-Executive Directors Caitlin Strokosch and Sage Crump stand together outside. The concrete wall behind them is teal and has a mural painted on it, only part of which is visible.
Caitlin Strokosch and Sage Crump. Photo by Daniel Pruksarnukul.

For 40 years, the National Performance Network (NPN) has worked from a fundamental belief: artists and cultural organizations are stronger when knowledge, resources, and power are shared. Now, at a moment of profound change for the cultural sector, we’re bringing that principle to the structure of the organization itself by announcing that Sage Crump and Caitlin Strokosch will lead the organization as Co-Executive Directors.

Caitlin has served as NPN’s President & CEO since 2016, stewarding NPN through a tumultuous decade as we explicitly committed ourselves to racial and economic justice. Sage, an artist, cultural strategist, and movement facilitator with 30 years of experience at the intersection of art, culture, and justice, steps into the Co-Executive Director role after 12 years of leadership at NPN, where she has shaped programs and launched our Department of Racial Justice and Movement Building (DRJaM).

Read the full announcement.

Announcing the 2026 Praxis Project Fund Awardees

A two-by-two grid of white boxes containing logos representing the four 2026 Praxis Project Fund awardees and their partners. The top left box contains the logos for DiverseWorks and Emily Johnson Catalyst. The top right box contains the logos for Miami Light Project, Americans for Immigrant Justice, and FIU Public Humanities Lab. The bottom left box contains the logos for La Peña Cultural Center, the freedom archives, and the Center for Political Education. The bottom right box contains the logos for Youth Speaks and Oakland Rising.

“Organizing is leadership that enables people to turn the resources they have into the power they need.”

–Adapted from Marshall Ganz, Organizing: People, Power, Change

The National Performance Network (NPN) is thrilled to announce its 2026 Praxis Project fund awardees: DiverseWorks, Miami Light Project, La Peña Cultural Center, and Youth Speaks. Praxis Project funds support organizational partnerships between arts and social justice organizations to increase the capacity for local visionary organizing. These four new awardees move beyond transactional engagement and toward transformative exchange — fostering collaboration, shared learning, and long-term impact.

Learn more about the 2026 Praxis Project Fund Awardees.

“There exists new music for everyone”

An Interview with Take Notice Fund Artist Mendel Lee

A photograph of Mendel Lee standing in front of a white curtain and smiling as he looks down at an iPad that he holds in his left hand.
Mendel Lee reads to the audience during a performance of Tom Johnson’s Bedtime Stories.

Mendel Lee is a composer and music educator living in New Orleans, LA. In this interview, part of NPN Take Notice Fund’s commitment to bring more visibility to Louisiana artists of color, Mendel talks about his journey from music education and drum corps to composing new music, and his work to connect audiences with new music from living composers in his role as the Executive Director of Versipel New Music.

“One of the great things about new music is that it allows performers and composers to be more collaborative in putting that music out into the world.”

–Mendel Lee

Read the full interview on our Voices from the Network blog.

Mixed Metaphor: Creating a World of Racial Justice and Cultural Equity

An image of the Mixed Metaphor Workbook open to show a two-page spread of the start of Chapter 1. The page on the left side is a navy blue with light blue and green hand-drawn flowers in the lower right corner. The text “Chapter 1” appears in white all caps horizontally centered at the top of the page. Horizontally centered in the middle of the page is the text “A Blessing & a Welcome” in a white decorative typeface. The facing page on the right shows two columns of text, too small to be legible, with a short quote above the second column. Three small teal butterflies are placed around the left edge of the quote.
“A Blessing & a Welcome” from Chapter 1 of the Mixed Metaphor Workbook.

“We are the ones we have been waiting for.”

–June Jordan

Imagining and creating a world with racial justice and cultural equity depends on the vision, voices, and creativity of artists, arts and culture change groups, and groups rooted in Black and Native communities, other communities of color, and rural communities who are challenging white supremacy culture and settler colonialism.

Explore the Mixed Metaphor Workbook and its companion, the Mixed Metaphor Learning Deck.

Announcements & Opportunities

Artists: Rauschenberg Foundation’s Emergency Grants Now Accepting Applications

Black and white photograph of six dancers of various genders and skin tones and wearing black body suits performing on a bare wooden floor against an empty white wall.

Robert Rauschenberg was committed to assisting fellow artists in need of emergency aid, establishing Change, Inc. in 1970. Now administered by New York Foundation for the Arts (NYFA), the Rauschenberg Foundation’s National Medical Emergency Grants and National Emergency Grants for Dancers continue this legacy.

The National Medical Emergency Grants Program awards one-time grants of up to $5,000 for artists in the visual arts, film/video, electronic/digital arts, or choreography facing unexpected medical, dental, and mental health emergencies. The program is currently accepting applications through November 17, 2026. Learn more and apply to the National Medical Emergency Grants Program here.

The National Emergency Grants Program for Dancers awards one-time grants of up to $3,000 for professional dancers in the US facing dire financial emergencies. The next grant application window is November 10 through December 8, 2026. Learn more about the National Emergency Grants Program for Dancers here.

BOOM Concepts’ Photography Workshop Builds New Ways of Seeing

Promotional poster featuring a monochromatic dark brown photograph of a young Black person in a dark hoodie sitting in the center of an empty outdoor basketball court with their knees drawn up and their arms crossed over the knees. The word “Undertones” appears over their head in all caps orange text. On the left side of the person are two blocks of text in alternating sections of white and orange that provide a description as well as time and location info. The first section reads, "1 day, 2-part workshop / Saturday, November 14th / Featuring Brandon Watson (brandon watson.studio)." The second section reads, "Held at The Lab @ Silver Eye / 5228 Penn Ave, 15224."
Poster for the workshop “Undertones,” to be held in Pittsburgh, PA on Saturday, November 14, 2026.

NPN Partner BOOM Concepts is presenting a special one-day photography workshop featuring Buffalo-based photographer Brandon Watson. The workshop, “Undertones,” centers on working alongside marginalized communities in Pittsburgh to explore photography as a collaborative tool for storytelling, connection, and self-definition. The workshop features two sessions: “Photographing Darker Skin Tones,” which teaches participants how to properly light, expose, and color-balance darker skin tones; and “Nonviolent Language in Photography,” which explores more collaborative and consent-centered approaches to image-making between photographer and subject.

“Undertones” will be held at The Lab @ Silver Eye Photography in Pittsburgh, PA, on Saturday, November 14. Visit the BOOM Concepts website for more information.

Upcoming Artist Activities

What We’re Reading

An illustration of two overlapping dark green playing cards floating against a background made up of floating hands and smaller beige card-shaped objects. The card on the left features a large capital "A" surrounded by smaller lowercase "a"s. The card on the right has a large lowercase "i" in the center surrounded by the letter "i" in various uppercase and lowercase styles.
Alina Constantin / Better Images of AI / Handmade A.I / CC-BY 4.0

Each month, NPN’s staff and board engage with a reading that helps shape our analysis of our sociopolitical landscape and deepen our understanding of how to embed liberatory practices throughout our work. The Collective Learning Series is organized by NPN’s Department of Racial Justice and Movement Building (DRJaM).

This month’s selection is “AI and the Arts: 5 Steps to a Responsible Generative AI Policy,” co-written by Katrina Ingram of Ethically Aligned AI and Lisa McKay of the Rozsa Foundation, which documents how the two groups worked together to develop Rozsa’s artist-focused “AI Commitments and Guidelines” statement.

Read “AI and the Arts: 5 Steps to a Responsible Generative AI Policy” at Ethically Aligned AI.

NPN is generously supported by:

Barbara and Amos Hostetter, Doris Duke Foundation, Ford Foundation, The Kresge Foundation, Lambent Foundation, Louisiana Division of the Arts, Surdna Foundation, Vilcek Foundation, and our generous donors.

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