August 2026 News


September 17, 2026  •  6 minute read

Each month, we share stories from our sector and our network that build our understanding of each other and make sense out of challenging times. This month’s issue includes stories that center compassion, truth-telling, and care in “an era of relentless trauma” — making visible oppressive systems often disguised as individual failures; accepting “necessary dissonance” in an artist’s rigorous process; and shaping community-led resistance in response to civic emergency. You’ll also find NPN resources, including what we’re reading in our monthly political education series, lessons drawn from our Mixed Metaphor deck, and upcoming performances of NPN-supported projects, from Fresno to Brattleboro!

Lastly, we’re excited to share the latest publication from NPN’s Visiting Critic Program, featuring a reflection on NPN’s recent gathering at the Arab American National Museum in Dearborn, Michigan, by Juleana Enright with Sixty Inches From Center. In partnership with local/regional arts journalism, NPN’s Visiting Critic Program is shaped by our belief that arts criticism and journalism is an essential component of a healthy arts ecosystem, as it creates better understanding of the socio-political conditions of artists regionally and the issues impacting their communities and livelihoods.

Caitlin Strokosch
President & CEO
National Performance Network

“Every great art has an inner melody”

An Interview with Take Notice Fund Artist Miles Labat

Photo of Miles Labat outdoors in what appears to be a large park, with recently mown grass and a concrete path on the far right that leads to a copse of trees in the background. Miles is wearing a button down shirt with a fine pattern of navy blue vines against white, and a dark gray wool overcoat. He is standing directly in front of a tree, and the warm glow of the sun on his face plus the long shadow of the tree behind him suggest late afternoon on a clear day.
Miles Labat.

Miles Labat is a filmmaker and musician from New Orleans, LA. In this wide-ranging interview, part of NPN Take Notice Fund’s commitment to bring more visibility to Louisiana artists of color, Miles talks about his early exposure to great films, his career as a touring jazz musician, and why every filmmaker should read good books.

“I think every art at its core, whether it’s painting, singing, dance, film, I think if it’s done really well, it’s as close to music as it can get. Every great art has an inner melody. Every great art has these inner harmonics.”

–Miles Labat

Read the full interview on our Voices from the Network blog.

“An atypical convening for a bizarre time”

Reflections on NPN’s 2026 Partner Meeting, by Juleana Enright

Detroit-area artists Layan Srour, Raphique Barakat, and Khadega Mohammed are seated onstage in front of an audience for a discussion moderated by AANM’s Director Dr. Diana Abouali. Behind the artists there is a projector screen with NPN’s logo, a graphic image, and information about the Partner Meeting, including the name of this year’s theme, “Murmurations.” Photo by Paisley Sutton, Winnie Media.
Detroit-area artists Layan Srour, Raphique Barakat, and Khadega Mohammed participate in a discussion moderated by AANM’s Director Dr. Diana Abouali at the 2026 Partner Meeting in Dearborn, MI. Photo by Paisley Sutton, Winnie Media.

“NPN is more than just a network of creatives,” artist Juleana Enright observes in “Pivoting in Flight,” her reflections on NPN’s 2026 Partner Meeting earlier this year. “They welcome their partners with open arms, offering support, resources, and a deep understanding of the challenges we all face” in our work for social justice in the arts. Those challenges, from “socio-political hostility” to evaporating funding to institutional abandonment, felt more immediate than ever at this year’s meeting, held in Dearborn, Michigan, a community still healing from the aftermath of ICE’s violent “Operation Metro Surge” a few months earlier. But Dearborn’s community-led resistance in response to ICE also served as a powerful example of the meeting’s theme of murmuration, when a flock of birds anticipate, react, and adapt as a collective whole. “For arts entities enduring an era of relentless trauma,” Juleana writes, “this rapid, synergistic response to civic emergency is the very essence of reimagining and resistance.”

Visit Sixty Inches from Center to read Juleana Enright’s “Pivoting in Flight: Reflections Following the National Performance Network’s 2026 Dearborn Partner Meeting”

Strata: Diaspora Vibe Cultural Arts Incubator (DVCAI)

Image of a gallery installation of large photo collages and sculptural works. The left side of the image shows a large format photo collage suspended at an angle from the wall. The collage contains cutouts of people posing for casual photographs overlapped with various types of documents. On the right side of the image, in red text over a pale beige gradient, is the following quote: "Black curators get hired, but very rarely do you see their ideas coming to fruition in institutions." The quote is attributed to "Rosie Gordon-Wallace, President and Curator, DVCAI." Below the quote and attribute is the series name "Strata" in red. In the center of the image is a "play" icon, and there is a video progress bar across the bottom, giving the image the appearance of an embedded video.

Mixed Metaphor: Detoxifying Systems of Oppression in Arts Organizations

On the left side of the image, in the foreground, is the text “Mixed Metaphor” in large letters, and underneath that in smaller letters is the text “A Liberatory Infrastructure Learning Deck." In the background, the other cards of the deck are spread horizontally, faces down, in an even distribution. On the right side of the image, in the foreground, is the back of card 4 of the Mixed Metaphor Learning Deck, featuring an illustration of a rocky riverbed in deep blue interrupted by large rocks in shades of purple. A narrow volcano, also in purple, extends up the left side of the card, with pale yellow lava running down its side and turning into purple, then blue, water as it reaches the river. Several small dark rocks bounce down the side of the volcano toward the riverbed. Over this illustration in the center of the card is “4. Detoxify Systems of Oppression” in white text, and underneath in smaller, pale blue text is the word “Invitations.” Behind this card, the face of card 4 is partially visible, featuring a white background with blocks of text in dark purple and dark gray.
“Detoxify Systems of Oppression,” card 4 of the Mixed Metaphor deck, explores how to dismantle the systems of oppression that undermine arts organizations of color and rural arts organizations, and replace them with pathways to equity.

“It’s not about the lack within these organizations; it’s not [that they are] at risk. It is: these folks are brilliant and they are living inside a toxic system.”

–LANE Consultant

Arts organizations of color and rural arts organizations experience systemic devaluing, divestment, and undercapitalization to a larger degree than other organizations in the sector. Card 4 of the Mixed Metaphor Liberatory Learning Deck, “Detoxify Systems of Oppression,” addresses how arts organizations can dismantle white supremacy culture and racial capitalism while building new pathways to equity.

Explore this card and others directly on your phone or desktop with our interactive Mixed Metaphor Liberatory Learning Deck.

National Theater Project Announces its Final Grantees

A light-brown-skinned man wearing a hat, a long beaded necklace, and a gray short-sleeved t-shirt stands against a black background and looks up as he raises his outstretched hands with the palms facing up.
Artist Teo Castellanos, one of the 2026 National Theater Project Grantees.

After 15 years of support for artist-led, ensemble, and devised theater work, New England Foundation for the Arts’ National Theater Project (NTP) has awarded its Sunset Grants. While recent philanthropic shifts have necessitated the conclusion of NTP in its current form, NTP’s legacy — under the extraordinary leadership of Quita Sullivan (Montaukett/Shinnecock), Senior Program Director for Theater — lives on through the projects NTP has supported, including 119 new theater works reaching audiences in 44 states, Washington D.C., across both the Atlantic and Pacific territories, and even the moon. Among the 2026 NTP grantees are 16 NPN-supported artists and organizations. Congratulations to all!

  • Arab American National Museum – Dearborn, MI
  • Bunnell Street Arts Center – Homer, AK
  • Clear Creek Creative – Bighill, KY
  • Dahlak Brathwaite – Brooklyn, NY
  • Daniel Banks/DNAWORKS – New York, NY
  • Junebug Productions – New Orleans, LA
  • Live Arts Miami – Miami, FL
  • Martha Redbone – Brooklyn, NY
  • Mondo Bizarro Productions – New Orleans, LA
  • Pangea World Theater – Minneapolis, MN
  • paris cian – New Orleans, LA
  • Rudi Goblen – North Hollywood, CA
  • TeAda Productions – Los Angeles, CA & Micronesia
  • Teo Castellanos D-PROJECTS – Miami, FL
  • The Civilians – Brooklyn, NY
  • Ty Defoe – Brooklyn, NY

Visit the New England Foundation for the Arts website to learn more.

Upcoming Artist Activities

A Meal by Ximena Garnica and Shige Moriya of LEIMAY.

Sep 17–19, 2026, at 7 Stages Theatre (Atlanta, GA).
More info on A Meal.

STORY BALLET by slowdanger.

Sep 25 and 26 at 7:30 pm, and Sep 27 at 3:00 pm, 2026, at Charles W Eisemann Performing Arts Center (Richardson, TX).
More info on STORY BALLET.

What We’re Reading

A tightly cropped black and white photo of a smiling Black woman looking into the camera as if about to speak. The text “Y’all stopped saying Black. How’s that working for you?” in large, light gray,  all caps text is stacked in five lines over the woman's face, significantly obscuring her features. The text extends from the top edge of the image to the bottom edge.

Each month, NPN’s staff and board engage with a reading that helps shape our analysis of our sociopolitical landscape and deepen our understanding of how to embed liberatory practices throughout our work. The Collective Learning Series is organized by NPN’s Department of Racial Justice and Movement Building (DRJaM).

This month’s selection, “Y’all Stopped Saying Black. How’s That Working For You?” by New Orleans-based artist and organizer Lauren Turner Hines is an examination of the suppression of language in philanthropy as an expression of authoritarian control. “Every time in American history that communities fighting for their survival have been told to change how they name themselves, their communities, or their own pain, the ask has never been about strategy. It has always been about control.”

Read “Y’all Stopped Saying Black. How’s That Working For You?”

NPN is generously supported by:

Barbara and Amos Hostetter, Doris Duke Foundation, Ford Foundation, The Kresge Foundation, Lambent Foundation, Louisiana Division of the Arts, Mellon Foundation, South Arts, Surdna Foundation, Vilcek Foundation, and our generous donors.

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