Department of Racial Justice and Movement Building (DRJaM)

DRJaM is a 10-year initiative created to build the analysis, skills, and capacities of the art and culture ecosystem and social justice movements to collaborate sectorally. It nourishes coalitions and organizes cultural workers toward strategy development and collective action.

Learn About Our Origins
Photo collage from a series of LANE and DRJaM workshops: a Partner points to a poster titled 'Refusal' with colored circles; a woman speaks into a microphone in front of a whiteboard while a small group listens; a person writes on a large paper worksheet at a table; two friends smile together outdoors; colorful pipe-cleaner figures arranged on a table; a woman writes on a wall; a woman speaks into a microphone against a red background.

DRJaM’s Purpose

In alignment with NPN’s work with its National Partners and the broader arts field, DRJaM explores what capacities, relationships, and resources are necessary for art and culture practitioners and organizations to become political instruments.

Delve Into Our Purpose
A person in a pink beanie and tie-dye shirt writes on a large paper worksheet shaped like a phone app profile, filling in fields like 'Studio LaLala' and 'QTBIPOC' under a hand-drawn illustration of lips.

Four Pillars of DRJaM

What becomes possible in our sector when we are in ideological alignment, deep learning, relationship building, and principled practice?

Ideological Alignment

Developing a shared understanding of oppressive systems; connecting cultural work to liberation movements.

Deep Learning

Going beyond diversity training to study movement histories and organizing strategies.

Relationship Building

Cultivating trust and reciprocity between artists, organizations, funders, and movement partners.

Principled Practice

Implementing collaborative strategies and refining tactics for material change.

“Culture is not a mere artifact or expression of aesthetics, custom, or tradition. It is a means by which people assert their opposition to domination, a means to proclaim and invent their humanity, a means to assert agency and the capacity to make history. In a word, culture is one of the fundamental tools of the struggle for emancipation.

–Kenyan activist Firoze Manji