April 2026 News


May 15, 2026  •  8 minute read

10 Toes Down: NPN’s Commitment to the South

An illustration of the southeastern section of the continental United States. The following states are each highlighted in a unique shade of green or blue and filled with a simple white pattern of repeated tick marks, dots, or lines: Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee. Adjoining states are left a plain gray to indicate that they are not part of the selected region. Nine lime green flag icons are on the map to indicate the locations of NPN's National Partners in the South, and the names of the National Partners are indicated in white labels next to the flag icons. From left to right, the flag icons and names are: Junebug Productions and Ashé Cultural Arts Center in New Orleans, LA; Coleman Center for the Arts in York, AL; Space One Eleven in Birmingham, AL; Hammonds House Museum and 7 Stages in Atlanta, GA;  Miami Light Project, Live Arts Miami, and Diaspora Vibe Cultural Arts Incubator (DVCAI) in Miami, FL.
NPN’s National Partners in the South: Coleman Center for the Arts (York, AL); Space One Eleven (Birmingham, AL); Diaspora Vibe Cultural Arts Incubator (DVCAI), Live Arts Miami, and Miami Light Project (Miami, FL); 7 Stages and Hammonds House Museum (Atlanta, GA); Ashé Cultural Arts Center and Junebug Productions (New Orleans, LA).

NPN is a network of trans-local strategies where the arts are central to a future in which justice, humanity, and dignity belong to everyone. This position – both national in scope and rooted in place – has come into greater focus in recent years, as NPN sharpens what it means to be a national organization in the South.

In “Making the Invisible Visible: NPN Reflects on Five Years of Southern Grantmaking,” published by Grantmakers in the Arts, NPN shares how we have shaped our approach to resist the extractive, fleeting patterns that too often define national foundation work in the South.

In addition to NPN’s Southern Programs, our movement building and policy work are shaped by the South, and more than 20% of NPN’s National Programs support Southern artists and arts organizations.

While significant changes in the funding landscape have created uncertainty for NPN’s regranting work (as well as for other intermediaries), we remain committed to building power and resources that advance racial and economic justice in the South. “We are ten toes down with you,” says NPN’s Director of Southern Programs Stephanie Atkins.

Read more at giarts.org.

Voices from the Network

“Write What You Wanna See”

An Interview with Take Notice Fund Artists The West Sisters

Two young Black women in jeans and sweatshirts sit outside in a city environment and smile gently at the camera. Partially obscured in the background is a large sand colored building without windows, and an adjoining sand colored multi-story parking garage. On the left, Chasah West, wearing a muted pink sweatshirt and blue jeans, sits with her back against her sister's shoulder and her face turned toward the camera. She is smiling gently. On the right, Charliese West, wearing a gold colored sweatshirt and blue jeans, sits cross-legged and stares at the camera with a neutral but friendly expression.
The West Sisters, Chasah West (on left) and Charliese West (on right).

Siblings Chasah West and Charliese West, working together as The West Sisters, are composers and filmmakers from Lafayette, LA, who tell stories, often in popular commercial genres, that center characters of color. In this interview, part of NPN Take Notice Fund’s commitment to bring more visibility to Louisiana artists of color, Chasah and Charliese share how their early childhood in Africa influenced how they view popular entertainment, why they focus on stories that are uplifting, and how their family dynamics show up in their approach to creative work.

“Well, why don’t we see a Black girl who’s Lara Croft, you know, as they go traipsing through these exotic countries? We grew up abroad, so we had a global perspective. And so when we saw stories, we always wanted to see what was around us, which was not just American culture.”

–Chasah West

Since sitting down for this interview, The West Sisters have released a concept album for SWELL, their original musical about a young woman who attempts to save her slowly flooding coast town. On July 31, 2026, they will present a concert performance of SWELL at Acadiana Center for the Arts in Lafayette, Louisiana.

Read the full interview on our Voices from the Network blog.

Strata

How Cultural Organizations Engage the Political Life of Their Communities

A composite image consisting of four columns, each containing a tightly cropped photograph with a slightly pinkish tint. Starting from the left, the first column shows a pile of colorful rocks overlaid with the word "Strata"; the second column shows a Black woman with a shaved head and a sleeveless yellow dress dancing ; the third column shows a muscular, light skinned woman of possible Asian ancestry standing in front of a projection of trees and gripping a cart filled with dried grass; and the fourth column shows a Black woman covered in chalk or dried mud and wearing a beige two-piece costume walking across a grassy field with her face hidden by a headdress made of giant leaves.
From left, starting with the second column: photos representing Strata interviewees and NPN National Partners Kelly Strayhorn Theater, DiverseWorks, and Diaspora Vibe Cultural Arts Incubator (DVCAI).

What becomes possible when the infrastructure, admin, curation, and work of cultural organizations all include a political social justice orientation? Strata, a cultural political conversation from NPN’s Department of Racial Justice and Movement Building (DRJaM), explores the role of cultural work designed to shift material conditions through conversations with National Partners Kelly Strayhorn Theater in Pittsburgh, DiverseWorks in Houston, and Diaspora Vibe Cultural Arts Incubator (DVCAI) in Miami.

Published as multimedia installments on Instagram and on the NPN website, these interviews combine audio, video, and imagery to reveal how cultural organizations are engaging the political life of their communities and beyond.

View and join the ongoing conversation on Instagram or learn more at npnweb.org/strata.

World Premiere

Rosy Simas on Creating a Space for Peace in Minneapolis

A Black, female-presenting dancer in a black short-sleeved shirt is shown from the mid-torso up with her head tilted back slightly and her eyes closed. She extends her left arm above her head in a gentle curve, and holds her right arm in a bent position above shoulder level. She is warmly illuminated in what appears to be an otherwise dark performance space. The backdrop behind her is covered in narrow, russet-colored vertical lines, with curls of dried leaves near the bottom, suggesting an abstract representation of plant stalks, plant fiber, and twine.
Lela Pierce in A:gajë:gwah dësa’nigöëwë:nye:’ (i hope it will stir your mind). Photo by Valerie Oliveiro.

This month marks the world premiere of A:gajë:gwah dësa’nigöëwë:nye:’ (i hope it will stir your mind), a collaboratively created Native contemporary dance work that draws the audience and performers into a shared space of relationality through layers of movement, sound, and visuals imbued with a “good mind,” the Seneca notion of a peacemaking state of being. Developed over the past two years, the work features five performers, including NPN-supported artist Rosy Simas (‘23 Creation Fund, ‘24 Development Fund, and ‘25 Documentation & Storytelling Fund), and is accompanied by a concurrent gallery installation.

A:gajë:gwah dësa’nigöëwë:nye:’ (i hope it will stir your mind) is being performed now through May 16 at Walker Art Center in Minneapolis, with the gallery installation on view at the Walker through July 5th.

Read an interview with Rosy Simas on Hyperallergic.com.

Mixed Metaphor

What Stories Are You Telling? Reflection Tools for Racial Justice Work

Partial view of an open workbook. The background of the page on the left is a solid dark purple, with drawings in various shades of pink with aqua highlights around the edges: a jellyfish on the left, an unidentified abstract shape along the top, and a budding stalk on the right. Horizontally centered in the top half of this page, in white lettering, are the words "Racial Justice & Cultural Equity." The facing page on the right is white, with a block of purple text at the top and a column of smaller black text underneath.
The “Reflections” prompts are part of the “Racial Justice & Cultural Equity” section of the Mixed Metaphor Workbook.

“What stories are you telling? Whose lived experiences are being lifted up and given visibility through your work? What is the message this sends?”

It can be difficult to tease out the many ways that racial capitalism and cultural oppression contribute to the under-resourcing, undervaluing, and silencing of communities of color. The reflections on pages 56-57 from the “Racial Justice & Cultural Equity” section of the Mixed Metaphor Workbook can help stimulate a deeper exploration into questions of visibility and liberation.

Explore the Mixed Metaphor Workbook and its companion, the Mixed Metaphor Learning Deck.

Conference Highlights

What Stories Are You Telling? Reflection Tools for Racial Justice Work

In a large, well-lit hotel ballroom with gray walls, a Black woman wearing a floor-length marigold colored dress, turquoise gloves, and a purple and red feathered headdress leads a processional through an audience of conference attendees. The attendees, all of whom are wearing face masks, are standing and clapping. The woman is singing and pointing into the air with her right hand. Behind her, a Black man wearing a white suit with gold embroidered filigree embellishments and gold shoes is accompanying her with a drum, and behind him someone is holding a large gold Egyptian ankh symbol. Draped over the woman's left shoulder is a wide sash made of the same material as the dress, with large colorful patches that include representations of a skull, a bunch of purple grapes, and two eggplants. Long blue and red ribbons hang from the end of the sash to the carpeted floor of the ballroom.
Artburst with Cherice Harrison-Nelson and Queen Reesie Collective at NPN’s 2025 Conference in October 2025. Photo by Melisa Cardona.

“It is brave that you are here. It is brave that we have come this way to gather — not to wait, not to ask permission, but to remember.”

Stephanie McKee-Anderson, Executive Artistic Director, Junebug Productions

“Whether you came here for joy, commiseration, connection, strategies, or solace, we are so glad you’re here!”

Caitlin Strokosch, President & CEO, NPN

When NPN held its 2025 National Conference in New Orleans this past October, it was our first in-person gathering in six years and the start of our 40th anniversary year. Today we’re happy to share with you some highlights from those three days together. Whether you’re revisiting memories with us or experiencing the conference for the first time, we hope you enjoy this look back, featuring voices from across the network and photos by Melisa Cardona and Roy Wallace.

View the Conference Highlights reel.

NPN is moving to a biennial conference and invites you to join us in Fall 2027; we’ll announce dates and location this summer.

Announcements & Opportunities

San Cha Music Theatre NOW Award

Inebria Me, an opera written, composed, and performed by NPN-supported artist San Cha (‘24 and ‘25 Artist Engagement Fund, ‘24 Documentation & Storytelling Fund), has been named one of seven productions honored by the Music Theatre NOW Awards 2025:

Inebria Me is a bold and visually striking contemporary opera that blends high drama, mysticism, and social commentary. Drawing from the divine ecstasy of religious iconography – particularly The Ecstasy of Saint Teresa – and the heightened melodrama of early 90’s Mexican telenovelas such as Marimar and Maria Mercedes, the opera explores themes of desire, transcendence, and liberation.”

Inebria Me will be presented during the O. Festival Professionals Programme in Rotterdam this May, “a concentrated moment to connect with international curators, programmers, and producers.”

Congratulations!

A Mexican-American woman in a white wedding dress holds her veil above her head with her right hand to reveal her face, and with her left hand holds up a simple bouquet of entirely white Calla lilies. She looks down, lips slightly parted, with an expression of anguish or intense emotion. Over her left breast, the top part of a tattoo is visible above the bodice of the dress. The tattoo appears to be three church steeples, each topped with a cross, surrounded by three large candle flames. The woman stands alone in a dark space with her dress and face illuminated by soft pinkish-white light, and her side illuminated by a soft blue that suggests moonlight.
San Cha as the soon-to-be-married field worker Dolores in the opera Inebria Me. Photo courtesy of churchofsancha.com.

Job Posting: Curator (Part-Time) at Space One Eleven

Space One Eleven seeks a Curator who, in consultation with the Executive Director, will lead the conceptual development and implementation of exhibitions that elevate critical conversations in contemporary art. In addition to curatorial responsibilities, the Curator manages SOE’s role as a partner organization in the Verdant Fund, a regional regranting initiative supported by the Andy Warhol Foundation for the Visual Arts.

Click here for more details.

A street view at night of the front of Space One Eleven Arts Center, a converted storefront with white or pale green trim and a pair of red doors. Paintings, drawings, and a small yellow and red sculpture are arranged behind the large glass display windows on either side of the doors. A long red sign above the storefront has the words “Space One Eleven Arts Center” cut out and illuminated from behind, so that the words are lit up and a white glow extends out behind the sign and across the bricks of the wall.

Upcoming Artist Activities

A:gajë:gwah dësa’nigöëwë:nye:’ (i hope it will stir your mind), Rosy Simas Danse

Performance: May 13 – May 16 (2 pm, 4 pm, and 7:30 pm)
Gallery installation: now through July 5th
Walker Art Center (Minneapolis, MN)
Ticketing info / Installation info

This new Native contemporary dance work and gallery installation draws the audience and performers into a shared space of relationality imbued with the Seneca concept of a “good mind,” or peacemaking state of being.

A large circular light installation on the floor of a gallery space is surrounded by suspended stones and a wooden grid overhead, with sheer curtains and subtle patterned wall panels in the background.
Installation view, Rosy Simas: A:gajë:gwah dësa’nigöëwë:nye:’ (i hope it will stir your mind). Photo by Eric Mueller. Courtesy Walker Art Center.

Larry & Joe Live in Concert, Larry Bellorín & Joe Troop

May 22 at 7 pm
La Peña Cultural Center (Berkeley, CA)
Ticketing and event info

Llanera superstar Larry Bellorín (Venezuela) and Latingrass GRAMMY-nominee Joe Troop (North Carolina) blend Venezuelan and Appalachian folk music into songs that inspire joy and unity.

Monochromatic green promotional poster that combines separate photos of two performers, with text describing the event above their heads and additional text in the bottom left quadrant. The figure on the left half of the composition is a man wearing a white cowboy hat and playing a harp. The figure on the right is a man with short hair and glasses playing a banjo. The text above them reads, “Larry & Joe, Live in concert!” The text in the lower left quadrant reads, “Fundraiser for East Bay Sanctuary Covenant and La Peña!”
Promotional poster for Larry & Joe Live in Concert!, featuring Larry Bellorín (left) and Joe Troop (right).

Praise! Project Sacred Bodies, Sandglass Theater

May 23 at 2 pm
All Souls Church (Brattleboro, VT)
Ticketing and event info

A creative storytelling workshop and community gathering where participants will explore themes of healing, identity, and belonging through movement, reflection, and shared stories.

Three dancers stand barefoot on a stage lit in purple or soft blue, each facing a different direction, with their hands held high above their heads. They appear to be walking together in a roughly circular path. In the background, two other performers sit on a bench with their hands raised in a similar gesture. A warmly lit backdrop which appears to be an unadorned stage wall is behind them on the right side of the image.
Artists perform in Praise! Project Sacred Bodies.

What We’re Reading

How Social Justice Movements Can Build Resilience and Joy

Film still of a young Black man with a neatly trimmed short beard, wearing an aubergine turtleneck and sitting in a yellow winged-back chair. He is smiling gently as he listens to an offscreen participant. White text appears to his right that reads, “Maurice Mitchell, National Director, Working Families Party.”
Maurice Mitchell, author of “Building Resilient Organizations: Toward Joy and Durable Power in a Time of Crisis.”

Each month, NPN’s staff and board engage with a reading that deepens our understanding of how to embed liberatory practices throughout our work. This month we’re recommending “Building Resilient Organizations: Toward Joy and Durable Power in a Time of Crisis” by Maurice Mitchell. The article explores how movements on the Left can overcome internal obstacles that impede progress and sap resources, and it will be the subject of a free webinar by Nonprofit Quarterly (NPQ) on May 28.

Read “Building Resilient Organizations” by Maurice Mitchell on the NPQ website, or listen to it in English. O haga clic aquí para leer el artículo en Español. To dive deeper, watch a discussion between Maurice Mitchell and Cyndi Suarez, former Editor-in-Chief of NPQ, recorded when the article was first published in 2022. Then sign up for the free webinar to continue the conversation later this month.

Our monthly reading is part of the Collective Learning Series organized by NPN’s Department of Racial Justice and Movement Building (DRJaM).

NPN is generously supported by:

Barbara and Amos Hostetter, Doris Duke Foundation, Ford Foundation, The Kresge Foundation, Lambent Foundation, Louisiana Division of the Arts, Mellon Foundation, South Arts, Surdna Foundation, and our generous donors.

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