September 2025 News


October 2, 2025  •  8 minute read

Carey Fountain interview with Jazzie Jelks

A close-up of part of the book cover for Spotlight: Black Rural Life, curated and illustrated by Jazzie Jelks. The colorful illustration centers on a young Black girl with her fists crossed over her chest. A smiling Black woman to the left of her is braiding the girl's hair. Surrounding the girl are a quilt, black-eyed-peas, a mustached man in a suit and black bow tie, and collard greens.
Detail of the cover of Spotlight: Black Rural Life, curated and illustrated by Jazzie Jelks.

“In a world where urbanization and technology often overshadow the beauty and richness of rural life,” writes Carey Fountain in his profile of fellow Southern Artist for Social Change awardee Jazzie Jelks, “[Jelks] is creating space to honor the legacy and future of Black communities in rural and urban environments alike. Her project, Spotlight: Black Rural Life, is a community-driven, multimedia initiative that weaves together the powerful stories of Black Americans preserving and innovating cultural traditions.”

Read “Spotlight: Black Rural Life – Jazzie Jelks on Reclaiming Traditions for the Future” on our Voices from the Network blog

Influence – “Ripples to Waves: Building Power for Cultural Equity”

On the left side of the image, in the foreground, is a cropped close-up of the front of card 14, which has a white background and a title in green text that reads, "Ripples to Waves: Building Power for Racial Justice & Cultural Equity," followed by a block of green text and then a block of brown text. Behind and above it is the cropped close-up of the front of the same card, which features the text "14. Influence: The Sacred Seven" above concentric bands of green in the style of a terrain elevation map. In the background, the other cards of the deck are spread horizontally, faces down, in an even distribution. On the right side of the image, in the foreground, is the text “Mixed Metaphor” in large letters, and underneath that in smaller letters is the text “A Liberatory Infrastructure Learning Deck."
“Ripples to Waves: Building Power for Racial Justice & Cultural Equity,” card 14 of the Mixed Metaphor deck, explores how personal transformation can catalyze ripples of change across ecosystems.

“We, as creative people, have the capacity to create a different ending to the story; explore the context, allow room to acknowledge layers, imagine possible outcomes…”
– LANE Cohort Member

Like water in a tide pool, powerful change ripples both out and around spheres of influence, creating waves that move in different directions through organizations, networks, and movements. Some of the most enduring, far-reaching ripples come from the ways individuals transform themselves in alignment with their vision and values. If movements come in waves, together we can build the power to generate and galvanize the next swell.

Explore this card and others directly on your phone or desktop with our interactive Mixed Metaphor Liberatory Learning Deck

Stormshaping: Adaptation, Resistance, Reimagination. NPN 2025 Conference. Oct 6-9, New Orleans.

2025 Praxis Project Awardees

A collage of logos from various arts, culture, and community organizations. Each logo is placed on a white background tile against a purple mosaic backdrop. Organizations represented include 516 Arts, Asian Arts Initiative, Dance Place, Double Edge Theatre, Martin Luther King Jr. Family Services, The Guadalupe Cultural Arts Center, Kelly Strayhorn Theater, Pangea World Theater, Indigenous Peoples Task Force, REDCAT, Mexican American Civil Rights Institute, Su Teatro Cultural and Performing Arts Center, and Program for Torture Victims, among others.

Praxis Project funds support organizational partnerships between arts and social justice organizations to increase the capacity for local visionary organizing.

Praxis Project awarded $110,000 to 11 NPN Partner organizations and local community organizations/collectives. This fund supports experimentation, collaboration, and the deepening of relationships to connect/more deeply embed cultural organizations into the local organizing for change infrastructure. These projects move beyond transactional engagement and toward transformative exchange — fostering collaboration, shared learning, and long-term impact.

Read the full announcement to learn more about each of these projects

Opportunities

Asian Cultural Council Announces Grant Opportunities for 2026

The Asian Cultural Council (ACC) has announced their 2026 Global Grant Cycle and is currently accepting applications until November 19th, 2025. ACC’s grants are not awarded to fund specific projects but rather to “enable artists, scholars, arts professionals, and organizations to pursue open-ended research to advance cultural exchange and mutual understanding between the U.S. and Asia.” Funds can cover things like travel and accommodations, daily expenses, museum admissions, event tickets, and interpreters.

Read their guidelines and apply

Promotional image for Asian Cultural Council’s 2026 Global Grant Cycle.

The Non-Conforming Criticisms Lab Is Now Accepting Applications From Abolitionist and Anti-Imperial Writers

HowlRound Theatre Commons has announced an open call for applications to the Non-Conforming Criticisms Lab, a new Live Art Writers Network project led by performingborders with Diana Damian Martin. The Lab is a free, three-month-long online program “dedicated to experimental, critical, and politically engaged writing in response to live art and performance. […] Together we’ll think through ways writing can respond to political crises, open up speculative and abolitionist approaches to criticism and shape nonconforming editorial practices.”

Applications are due October 17th.

Learn more and submit an Expression of Interest

A woman with dark hair affixes a sticky note to a large sheet of brown butcher paper taped to a brick wall. The paper is covered in green lettering, most of which is illegible, but in the foreground is the question fragment, “What does it mean to write in relation…”
Photo by Irina Mackie.

Announcements

Sharon Bridgforth invites us to heal with her new book, before you go: an Offering

In her new book before you go: an Offering, NPN-supported artist Sharon Bridgforth queerly explores a daughter’s relationship with her aging mother who has dementia. As she cares for her mother, she reflects on her own failures as a mother, which expands her ability to forgive/grow and heal.

“My experience has been that the more I tend what is broken and hurt in me, the better I am able to be with those I Love,” Brigforth writes. “Diving deep. Holding a mirror up to myself. Excavating and articulating what’s under the surface. Walking with haunts and haints. Moving through grief. […] My queer bodied/woman Loving prayer is that before you go: an Offering will be of service to those that receive it. A resource for us all to be ourselves most fully as we care for ourselves, each other, the Earth and all therein.”

Buy the book from Bookshop.org

Headshot of the artist next to a cover of her book, which features a photograph of a tree and the sun reflected in rippling water.
before you go: an Offering by Sharon Bridgforth. Photo of the author by Kevin O-Harra, Jr.

L. Kasimu Harris Makes History as His Photos Are Added to MoMA’s Permanent Collection

NPN-supported writer and artist L. Kasimu Harris — a Southern Artists for Social Change and Documentation & Storytelling Fund awardee — has made history as the first Black New Orleans-based photographer to have his work added to the permanent collection of the Museum of Modern Art. Five photographs from his Vanishing Black Bars & Lounges series have been acquired by the Museum of Modern Art and are featured prominently in their exhibit “New Photography 2025: Lines of Belonging,” on display now through January 17, 2026.

Learn more and explore the exhibit

A dark-skin Black man, in a black and tan hoodie and an orange cap. It is a 2024 self-portrait of L. Kasimu Harris, a writer and artist.
L. Kasimu Harris. Photo courtesy of the artist.

In Katrina Stories, Mondo Bizarro Preserves a Living History of Hurricane Katrina’s Impact

Katrina Stories is a new documentary podcast built from first-person accounts recorded after Hurricane Katrina. Each episode weaves together voices that reveal the human impact of the storm — stories of loss, resilience, anger, and hope. The series preserves these testimonies as living history, offering listeners an intimate connection to the people and places forever changed by the disaster. The podcast is part of Mondo Bizarro’s I-10 Witness Project, a community-based story project formed to document the myriad tales emerging from the aftermath of Hurricane Katrina.

Listen to Katrina Stories on Spotify or Apple Podcasts, or paste the RSS feed into your favorite podcast player.

Cover art for the podcast Katrina Stories
Katrina Stories, a new podcast from Mondo Bizarro.

Asian Arts Initiative Welcomes Sonia Mak as Its New Executive Director

On September 5th, Asian Arts Initiative announced the appointment of its new Executive Director, Sonia Mak: “With nearly three decades of experience as a curator, fundraiser, and community builder, Sonia brings a distinguished career dedicated to uplifting artists of color and creating exhibitions that center the voices and experiences of the AAPI community,” including at the Chinese American Museum in LA (where she was Founder and Lead Curator), Craft Contemporary, the Vincent Price Art Museum Foundation, and ICA Los Angeles. Welcome, Sonia!

Read the full announcement

Headshot of Sonia Mak.
Sonia Mak, Executive Director of Asian Arts Initiative.

Upcoming Artist Activities

Árabe Mahrajan: Texas + NOLA, Amanda Ekery

October 2–9 (multiple performances)
Texas (multiple cities) & New Orleans, LA

Hear the music and stories of Árabe this fall in Dallas, San Antonio, Houston, and New Orleans. Mahrajans were part of Syrian homeland culture, similar to block parties used for community formation.

Oct 2: Dallas @ The Wild Detectives
Oct 3: San Antonio @ River Sun Jazz
Oct 4: Houston @ Asia Society Texas
Oct 9: New Orleans @ New Orleans Jazz Museum at 2pm. Presented by the Consulate General of Mexico in NOLA

Amanda Ekery poses in profile among the foothills of the southwestern United States. She is wearing a long, plain black dress with sleeves that come to the elbows, and red cowboy boots. She has one foot lifted and placed on a short stool. A pale blue sky, softened by gentle clouds that turn to a white haze in the distance, fills the upper half of the image. Printed over the sky in gold script is the title “Árabe” in all caps. In smaller text below that is the name “Amanda Ekery.”
Album cover for Árabe by Amanda Ekery.

Los Alamos Arts Council presents Stories from Home, Safos Dance Theatre

October 3, 6:00
Duane Smith Auditorium (Los Alamos, NM)

Choreographer and NPN-supported artist Yvonne Montoya and the Safos Dance Theatre company draw upon personal histories and ancestral knowledge in contemporary dance that embodies the oral traditions of Nuevomexicano, Chicano, and Mexican American communities in the American Southwest.

Learn more about Stories from Home

On an empty stage lit entirely in blue, a lone female dancer stands on one bare foot and holds the other extended behind her, with her arms stretched out for balance. She is wearing a loose-fitting yellow pant with a wide blue vertical stripe down each leg, and a matching yellow long-sleeved top with a green vertical stripe running down the right side of her torso like a suspender, and a matching blue vertical stripe running down the left side. A green kerchief is tied around her neck and she is wearing a colorful striped hat with green fringe hanging over her eyes. Before her on the stage floor is a colorful, discarded costume piece of unknown function.
Stories from Home, Safos Dance Theatre.

First Bite, Mary Prescott

October 3, 7:30 pm
Mabou Mines (New York, NY)

First Bite offers a taste of interdisciplinary performance artist Mary Prescott’s Ancestral Table and her explorations around sense memory and storytelling. Through her Thai mother’s family recipes, Prescott investigates matrilineal heritage transmitted through food, and its infusions of migration, ecology, culture, and community.

Learn more about First Bite

The artist Mary Prescott, wearing a chocolate brown button-down shirt, sits in profile in a brightly lit room decorated in neutral colors — ivory, pale blue, light brown — and smiles as she holds a plate of what appears to be empanadas or pastries.
Mary Prescott. Photo by Bill Phelps.

Raw Fruit Live Soundtrack Recording, KM Dance Project

October 7, 7:00 pm
New Orleans Jazz Museum (New Orleans, LA)

KM Dance Project engage a community audience at the New Orleans Jazz Museum with the sound and storytelling of our touring work Raw Fruit. Artists will recite poetry, sing and perform all vocal and original musical elements from Raw Fruit. This event will serve as a fundraiser, listening experience, and live recording of the Raw Fruit soundtrack.

Learn more about Raw Fruit

Four Black female dancers, wearing loose white pants and white tops, perform in a spotlight on a dark stage. The dancer in the foreground has her arms and head thrown back as she cries out. Each of the other three dancers behind her bend forward at different angles; one looks directly ahead, her arms held in front of her face, while the other two look down at the ground while throwing their arms back.
Dancers Kesha McKey, Catherine Caldwell, Millenique Brown, Chanice Holmes, and Jasmin Simmons-Edmond in Raw Fruit. Photo by Melisa Cordana

Becoming Daddy AF (West Coast premiere), David Roussève/REALITY

ctober 17, 8:00 pm
October 18, 2:00 pm

The Nimoy (Los Angeles, CA)

NPN Creation Fund artist David Roussève’s first full-length solo performance in more than 20 years is an intimate meditation on life’s purpose, created and performed by a queer African American acutely aware of his mortality. Like strands of DNA, it connects elements encoded in his 64-year-old body, including 600 years of genealogy, a roller coaster journey with HIV, the shattering loss of his husband, and 35 years of dance-making.

Learn more about Becoming Daddy AF

A man in a stark pool of light leans heavily to the left, with one arm dangling low to the ground. He is wearing an old gas mask, and the breathing tube also dangles from his face, disconnected from any source. His upper body is bare, revealing his medium brown skin and the musculature of his torso; on his lower body, he wears dark pants and black running shoes with white swooshes.
Daddy AF (in-progress) by David Roussève, 2024. Photo by Rachel Keane.

Praise Music Sonogram, Julia Barbosa Landois

October 24, 6:00 pm
Rubin Center for the Visual Arts (University of Texas at El Paso, TX)

NPN Creation Fund artist Julia Barbosa Landois’ Praise Music Sonogram combines spoken word, video, and experimental sound to tell a story of motherhood, miscarriage, and abortion access across national and state borders. The performance is accompanied by multi-instrumentalist Andrew Javier Martinez as well as a storytelling and knowledge-sharing zine, Tía Sabiduría, co-designed with Julia by Tina Hernandez.

Learn more about Praise Music Sonogram

On stage, a woman in a short black dress and a long red coat sits with her hands drawn together and pressed between her knees, while a man in a short-sleeved black shirt sits at a desk behind her and plays guitar. Projected onto the back of the stage as if on a movie screen is a 15-to-20 foot tall image of a young woman wearing a Hollywood-style “Egyptian” costume.
Scene from Praise Music Sonogram by Julia Barbosa Landois.

Ghostly Labor presented by UC San Diego ArtPower, La Mezcla

October 24, 7:30 pm
Epstein Family Amphitheater (San Diego, CA)

Through tap dance, Mexican Zapateado, and Afro Caribbean movement, and accompanied by traditional Son Jarocho music from Veracruz, Mexico and an Afro-Latinx percussive score, this full length dance theater production by an all female dance company highlights the experiences of farm workers and domestic workers throughout California, and the generations of labor that have gone unseen.

Learn more about Ghostly Labor

A smiling woman with black hair woven into two long braids with crimson highlights dances in an outdoor setting. She is wearing a loose-fitting marigold-colored sleeveless blouse and is holding the front of her flowing, bright red skirt as she dances.
A dancer performs in La Mezcla’s Ghostly Labor.

What We’re Reading

Book cover for Collective Courage accompanied by a headshot of the author, Jessica Gordon Nembhard.
Collective Courage: A History of African American Cooperative Economic Thought and Practice, and the author, Jessica Gordon Nembhard.

Each month, NPN’s staff and board engage with a reading that helps shape our analysis of our sociopolitical landscape and deepen our understanding of how to embed liberatory practices throughout our work. The Collective Learning Series is organized by NPN’s Department of Racial Justice and Movement Building (DRJAM).

This month, we read an excerpt from Collective Courage: A History of African American Cooperative Economic Thought and Practice by Jessica Gordon Nembhard. First published in 2014, Collective Courage quickly became an important tool for understanding the history of cooperative economic enterprises in the African American community. This now-classic work recounts how African Americans benefited greatly from cooperative ownership and democratic economic participation throughout the nation’s history.

Click here to read an excerpt from the introduction

Past Issues

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