In NYC in January 2024? Check Out These NPN-Supported Artists!


January 2, 2024  •  13 minute read

2 men of color lunge towards each other, heads almost touching; feet almost touching. They are both dressed in red tight-fitted athletic/wrestling clothing while inside of a red boxed space. The floor displays a red moving lake, while the interior of the box is engulfed in a striking deep red color. The outside of the boxed ring is black with the middle cut out which functions as the viewing point into the red box.
Touch of RED. Photo: Jeremy Lawson (courtesy of MCA Chicago)

#NPNArtistsNYC2024

We’ve compiled a few of the many ways to see NPN-supported artists, and run into NPN friends. The schedule-at-a-glance is followed by more information about all projects.

*Please note that events may require registration, follow links for further instructions

Schedule-at-a-glance

Thursday, January 11th, 2024

Friday, January 12th, 2024

Saturday, January 13th, 2024

Sunday, January 14th, 2024

Wednesday, January 17th, 2024

Sunday, January 21st, 2024

Note: We tried to include as many NPN friends as possible, but this list is not exhaustive!


Detailed Information for All Performances

ANIKAYA

Conference of the Birds Showcase

Pentacle Roster Showcase

Date & Time

  • Saturday, January 13th, 8:55pm-9:15pm

Location

  • Ailey Citigroup Theater, 405 West 55th Street

Conference of the Birds is a multi-media movement theater work inspired by the 12th century Persian poem by Farid Uddin Attar, created and performed by an international collective of artists. The entire international cast will be gathering to present excerpts of the work as a showcase.

More info on this ANIKAYA event

A tall Beninois (West African) dancer carries a Japanese woman across the stage, her legs flying behind her. The background is a projected image of part of a passport.
Marcel Gbeffa and Kae Ishimoto in Conference of the Birds at Emerson in Boston (2019). Photo: Gary Alpert

Brownbody

Information Session

Meet Four McKnight Choreography Fellows

Date & Time

  • Sunday, January 14, 12pm – 12:45pm

Location

  • Gibney 280 Broadway (Entrance at 53A Chambers), 280 Broadway Building – Studio H 53a Chambers Street

RSVP to

Join the McKnight Fellowship program for a lunchtime information session to meet four recent McKnight Choreography Fellows. Each year the McKnight Fellowship program provides fellowship awards to choreographers and dancers of exceptional artistic merit, who reside in Minnesota. McKnight Fellows Joe Chvala, Rita Mustaphi, Deneane Richburg, and Yuki Tokuda will offer insights into their creative practices and information about projects available for development and touring.

Open to all. Light lunch and coffee will be served.

More info on the McKnight Fellowship event featuring Deneane Richburg

A Black woman on the ice in figure skates mid-movement balancing on the toe pick of her left skate while extending her right foot forward with both arms extending over head. She is wearing a gray dress with a full skirt and matching gray headwrap.
Deneane Richburg performing in Tracing Sacred Steps (2019). Photo: Alice Gebura

Dahlak Brathwaite

COMMERCIAL

Date & Time

  • January 14th, 2:00pm EST
  • January 17th, 7:30pm EST

Location

  • The Public Theater, Shiva Theater, 425 Lafayette Street

This is the true story: in playwright Dahlak Brathwaite’s hometown, Sacramento, policemen fatally shot an unarmed Black man, Stephon Clark. Brathwaite soon learned that his childhood friend was one of the cops who shot him. This is COMMERCIAL: The principles of Marquise Johnson, a fictional avatar for the playwright, are challenged upon learning that his childhood friend was one of the officers involved in this shooting. A play within a play unfolds as Marquise attempts to process the event, beginning as a nuanced poetic meditation on his complicated connection to this murder evolving into a sensational drama with deadly consequences.

Brathwaite is a DTWG Cohort Member and this show is being presented through The Public’s DTWG Studio Suite series.

More info on this Dahlak Brathwaite event

A Black man with a curly flat top dressed in all black is profiled to his right as he stands in a shadowy green room. He stares straight with a troubled look 10 feet in front of an open door where haze and a bright red light emanate from.
Dahlak Brathwaite exiting ‘the glowing room’ in COMMERCIAL (2023). Photo: Vicente Almanza

DANCE IQUAIL!

Dance Managers Collective Showcase

Date & Time

  • Friday, January 12, 7:45pm – 8:15pm

Location

  • Ailey Citigroup Theater, 405 W 55th Street

DANCE IQUAIL! will present several works that have support from NEFA – NDP tour subsidy and NPN. These works are ready for immediate touring.

More info on this DANCE IQUAIL! Event

Black man dancing with one leg and both arms raised. He is wearing a long red skirt and a black long-sleeve shirt.
Dr. Iquail Shaheed photographed by Andrew Fassbinder at the Rachel Neville Studios. All rights reserved 2022.

Dan Froot & Company

Up Next (APAP)

Date & Time

  • Friday, January 12th, 2:30pm – 4:30pm

Location

  • New York Hilton Midtown, 1335 Avenue of the Americas

Dan Froot & Company’s Arms Around America (AAA) is a devised, community-based performance project. It fosters dialogue about how Americans enact fear, power, identity, loss, and love through our relationships with guns. AAA is comprised of six theatrical vignettes based on oral histories of families around the country whose lives have been shaped by guns. Staged as a radio theater company performing a live broadcast, four actors navigate a forest of microphones while voicing dozens of characters, accompanied by a foley sound effects artist, an immersive sound design, and a live rock-n-roll band.

This is part of the UP NEXT! Artist Pitch Session at the APAP|NYC 2024 conference. Admission is limited to conference registrants.

More info on this Dan Froot & Company event

A group of people sit at a table looking up at three performers who are leaning over them: A brown-skinned woman, an older white man, and a tall brown-skinned man. A projection of a smiling African American family is on the backdrop behind the table.
Dan Froot & Company performing Pang! at University of Saint Joseph in Hartford CT (2019). Standing, L to R: Natalie Camunas, Dan Froot, Christopher Rivas. Photo: Ray D. Shaw

Ephrat Asherie Dance

Works & Process Underground Uptown Dance Festival

Date & Time

  • Friday January 12th, 6pm – 8pm

Location

  • Alice Tully Hall at Lincoln Center, 1941 Broadway at W 65th St

Celebrate New York City’s extraordinary club, street, and social dance artists. Don’t miss this one night takeover of Alice Tully Hall, when the Works & Process Underground Uptown Dance Festival expands from the Guggenheim, crossing town to Lincoln Center. Spanning the continuum of concert and social dance, Ephrat Asherie Dance, Omari Wiles’ Les Ballet Afrik, It’s Showtime NYC!, Ladies of Hip-Hop, Courtney “Balenciaga” Washington’s MasterZ at Work Dance Family, The Missing Element featuring The Beatbox House, and The Big Show by Princess Lockerooo’s The Fabulous Waack Dancers take to the stage. Simultaneously, Mai Le Ho’s LayeRhythm, Kwikstep and Rokafella’s Behind The Groove, and the Underground Uptown Ball call for all to jump into the cypher.

More information on this Ephrat Asherie “Works & Process Underground Uptown Dance Festival” event

A multi-racial, multi-gendered group of people look out at the camera with smiling face in front of a green background.
Photo: Lamont Richardson

Ephrat Asherie Dance

LORE (excerpt)

Pentacle Roster Showcase

Date & Time

  • Sunday, January 14th, 3pm – 3:30pm

Location

  • City Center Studio 5, 130 W 56th Street between 6th and 7th Avenue

Ephrat Asherie Dance will present excerpts of new and current company rep performing throughout Pentacle’s 2024-2025 touring season.

More information on this Ephrat Asherie – Pentacle Roster event

Five dancers is various positions, arms and legs in the air in front of a gray background.
ODEON. Photo: Matthew Murphy

First Nations Performing Arts

First Nations Performing Arts Annual Convening

Date & Time

  • January 21, 11am – 4pm: open to all

Location

  • Performance Space New York, 150 1st Ave., 4th floor

First Nations Performing Arts (FNPA) holds its annual convening January 19-21 in partnership with Performance Space New York and Relative Arts. All are welcome January 21, 11am – 4pm for a day of panels featuring incredible Indigenous artists and activists on topics Food Justice, Kinship, Decolonization, and Solidarity. Gather for discussion, a chance to hear from Lenni Lenapexkweyok and their commitment to their homelands, a reception and an opportunity to learn what FNPA and our community is planning for the coming year.

For more information email:

A large groups of people are doing a dance together facing the same way on a wooden floor.
Round Dance at Tëmikèkw, First Nations Dialogues (2019). Photo: Ian Douglas

jaamil olawale kosoko | kosoko performance studio

New work discussion

Live Artery Salon

Date & Time

  • Sunday, January 14, 11:00am

Location

  • New York Live Arts, 219 W. 19th Street

kosoko will discuss their new works including Black Body Annesia and Syllabus for Black Love/the hold. Both projects are available for touring.

More information on this jaamil olawale kosoko event

A brown skinned body is draped in brown materials. The legs are exposed and the garment is slightly wind blown.
jaamil olawale kosoko, courtesy of the artist (2021)

Jasmine Hearn

Memory Fleet : A Return to Matr

Live Artery Studio Showing

Date & Time

  • Sunday, January 14, 1pm – 1:45pm

Location

  • New York Live Arts, 219 W. 19th Street

Memory Fleet: A Return to Matr is a migrating performance and archive that preserves and celebrates the living memories of eight Black matriarchs of the North and South sides of Houston, TX. The shared stories will be the source for original sound scores, choreographies, and garments that will be experienced as a site-specific performance, album, feast, online archive, anthological catalog, and a mercurial system of somatic, embodied sound and dance practice.

More info on this Jasmine Hearn event

Jasmine Hearn, Dominica Greene, Myssi Robinson performing Salt and Spirit at the LGBT Center New York, NY (2023). Photo: Tony Turner Photography
Jasmine Hearn, Dominica Greene, Myssi Robinson performing Salt and Spirit at the LGBT Center New York, NY (2023). Photo: Tony Turner Photography

Ragamala Dance Company

Excerpts from Ananta, the Eternal

Elsie Management Showcase

Date & Time

  • January 13th, 9:40am – 10am

Location

  • New York City Center, Studio 5, 131 W 55th St (between Sixth and Seventh avenues)

Acclaimed Bharatanatyam dancers/choreographers Aparna Ramaswamy and Ashwini Ramaswamy will perform an excerpt from their first duet evening: Ananta, The Eternal. Ananta weaves together threads of body, memory, desire, and devotion, describing the eternal relationship between the deity and the devotee. The experience of beholding the image of a deity with one’s own eyes is a central act of worship and charged with meaning—it is reciprocal and electric.

More info on this Ragamala Dance Company event

Two photos side by side. To the left are three Indian dancers with arms raised above their heads. On the right is one Indian dancer kneeling with hands and face uplifted. All dancers are wearing orange, red and yellow traditional costumes.
Ragamala Dance Company. Photos: Arun Kumar

Ragamala Dance Company

Excerpts from Children of Dharma

Elsie Management Showcase

Date & Time

  • January 13th, 10:40am – 11am

Location

  • New York City Center, Studio 5, 131 W 55th St (between Sixth and Seventh avenues)

Ragamala Dance Company will present a work-in-progress showing from Children of Dharma, their newest large-scale work. Children of Dharma provokes an immediate emotional response to crises over the ages: from environmental devastation and oppression to unjust wars. Why does war unleash the animal in man? What have we done to our relationship with the natural world? In such an atmosphere, the essence of Bharatanatyam is vitally relevant – to put us back in touch with our roots, to harmonize, to heal, and to reaffirm the existence of beauty and truth.

More info on this Ragamala Dance Company event

One woman is in a prayer position in front of a gray Picasso-esque painting. She is wearing flowers in her hair, a short sleeved blue shirt and a red sash.
Photo courtesy of the artist

Shamel Pitts | TRIBE

Touch of RED (excerpt)

Live Artery Studio Showing

Date & Time

  • Saturday, January 12th, 2pm

Location

  • New York Live Arts, 219 West 19th Street

Touch of RED is the newest multidisciplinary work by the award-winning movement artist Shamel Pitts, co-created and performed by his Brooklyn-based arts collective TRIBE. Drawing inspiration from two distinct arts requiring rapid-fire footwork – boxing and the African-American jazz dance style Lindy Hop – this ten-round duet is performed by Pitts and South African born artist Tushrik Fredericks. Set in a stylized ring designed by the 2015 McArthur Fellow Mimi Lien and featuring cinematic video mapping by Lucca Del Carlo, lighting by the veteran Australian designer Rus Snelling, and costumes by the acclaimed experimental fashion star Dion Lee, Touch of RED examines the way Black men are perceived and perceive themselves in contemporary society and how masculinity and vulnerability can be reconciled in a non-competitive, compassionate, and healing way.

*Touch of RED (excerpts), for New York Live Arts’s Live Artery studio showcase, will focus on the choreographic intensity & vulnerability between the two performers by highlighting the dynamic & emotive journey within the endurance driven match. Following the movement sharing, we will have time for questions from the presenters/audience.

More info on this Shamel Pitts | TRIBE event

2 men of color lunge towards each other, heads almost touching; feet almost touching. They are both dressed in red tight-fitted athletic/wrestling clothing while inside of a red boxed space. The floor displays a red moving lake, while the interior of the box is engulfed in a striking deep red color. The outside of the boxed ring is black with the middle cut out which functions as the viewing point into the red box.
Touch of RED. Photo: Jeremy Lawson (courtesy of MCA Chicago)

Slowdanger (KST X NYC)

SUPERCELL

Date & Time

  • Thursday, January 11, 6pm – 7pm
  • Friday, January 12, 2pm – 3pm
  • Reception Friday, January 12, 12:30pm – 2:00pm

Location

  • The Flea Theater, 20 Thomas Street, New York, NY 10007

SUPERCELL is an evening-length multidisciplinary quintet performance responding to climate consciousness, media sensationalism, desensitization, and environmental collapse. The title refers to supercells, large storms of deep, persistent updrafts often resulting in many tornadoes. While supercells are terrifying, ominous, and harbingers of great damage, they are simultaneously breathtaking environmental events when witnessed from afar. The effect is similar to sensationalist media, instantly amplifying catastrophic events for an insatiable public consumption. The work begs the question, how do we cultivate hope during continually uncertain times?

This is part of Kelly Strayhorn Theater’s (KST) second year of KST X NYC, a special initiative to share new works commissioned and developed in Pittsburgh by KST in collaboration with national partners. Join KST before and after each performance for light refreshments in The Flea Theater’s lobby. You’re also invited to a special reception on Friday, January 12 at 12:30pm with the artists.

The Flea Theater is ADA-accessible and Kelly Strayhorn Theater is happy to further address any accommodations that will enrich your visit. Please reach out to KST’s Box Office team at 412.363.3000 x213 or .

More info on this KST X NYC: slowdanger, SUPERCELL event

Four dancers are in a clump in the foreground with various body shapes. There are neon green objects lights on the floor behind them and floating above their heads.
anna thompson, kira shiina, Jasmine Hearn, Nile Harris, and taylor knight in slowdanger’s SUPERCELL. Photo: Mariah Miranda

STAYCEE PEARL dance project & Soy Sos (KST X NYC)

CIRCLES: going in

Date & Time

  • Saturday January 13th, 6:00pm
  • Sunday January 14th, 6:00pm
  • Reception Friday, January 12, 12:30pm – 2:00pm

Location

  • The Flea Theater, 20 Thomas Street, New York, NY 10007

Black Joy. Femme. Cycles of Life and Love. CIRCLES: going in is a full-length dance work celebrating #BlackGirlMagic. Layering dance, visual arts, with pulsing beats and bass lines, the work presents snapshots of popular culture through choreographer Staycee Pearl’s lens as a Black woman. With an ensemble of five dancers, CIRCLES: going in is a colorful, unapologetic, and daring path to self-reclamation. Central to the work is an original sound score of hip-hop, house, techno and ballroom music samples mixed live throughout the performance – bringing the joy, spontaneity and uncensored freedom of self-expression from the club to the stage.

This is part of Kelly Strayhorn Theater’s (KST) second year of KST X NYC, a special initiative to share new works commissioned and developed in Pittsburgh by KST in collaboration with national partners. Join KST before and after each performance for light refreshments in The Flea Theater’s lobby. You’re also invited to a special reception on Friday, January 12 at 12:30pm with the artists.

The Flea Theater is ADA-accessible and Kelly Strayhorn Theater is happy to further address any accommodations that will enrich your visit. Please reach out to KST’s Box Office team at 412.363.3000 x213 or .

More info on this KST X NYC: STAYCEE PEARL dance project & Soy Sos

Four black dancers with their arms raised are in front of a black background. They are wearing brightly colored shirts, black pants, and brown shoes.
Cameron Waters, Mamiko Usuda, Anya Clarke-Verdery, and LaTrea Derome Rembert, in CIRCLES: going in. Photo: Heather Mull

STAYCEE PEARL dance project & Soy Sos

sum of y’all (excerpt)

Pentacle Roster Showcase

Date & Time

  • Sunday, January 14th 2:30pm – 3pm

Location

  • New York City Center, Studio 4, 130 West 56th Street (between 6th & 7th Ave)

What do we add up to as a community? Staycee Pearl’s newest creation with artistic collaborator Marvin Touré invites audiences to reflect on the delicate impermanence of community. Tracing back to memories of historically Black spaces that have been erased over time, sum of y’all highlights the constant and inevitable state of expansion, change and transformation. A compelling movement work, layered within a multimedia stage installation, sum of y’all draws parallels between gentrification and patterns found in the cellular structures of the human body. Set to an original score by jazz musicians James Johnson III, Erik Lawrence and co-composer Herman Pearl, the score unfolds as dancers flock, disperse and reassemble in blurred unison.

More info on this STAYCEE PEARL dance project & Soy Sos event

Two black men stand in an embrace on stage right. One man holds the other in a koala hug. The man being held has his arms and legs outstretched beyond his partner's body. They stand in front of an orange background. They both wear black boilersuits and black and white socks.
Cameron James Waters & LaTrea Rembert performing sum of y’all at Kelly Strayhorn Theater in Pittsburgh (2023). Photo: Beth Barbis

sugar vendil

Performance, Exhibit, & Reception

National Arts Club 2020 Artist Fellows Exhibit

Date & Time

  • Friday, January 12th, 6pm – 8pm

Location

  • National Arts Club, 15 Gramercy Park South New York, NY 10003

The National Arts Club will host a reception for the 2020 Artist Fellows Exhibit. NPN Grantee, composer, pianist, and interdisciplinary artists sugar vendil will perform two works for piano, voice, and electronics. These compositions include her hand-drawn score, “Test Site 5: Seedlings (2020)” which is being shown along with her hand-drawn score, “Pearls (2020)” and a new, Pacita Abad-inspired mixed-media piece, “trapunto etude (2023)”. The group show will also feature works by Lara Knutson, Carol Salmanson, Rachel Elizabeth Seed, Aliza Shvarts, and Brea Souders.

More info on this sugar vendil event

"Test Site 5: Seedlings / for voice and electronics / Composer at Marble House Project" is written in black ink in the center of the page. The composer's name, "Sugar Vendil" is flush right below that text. This hand-drawn score is notated with boxed numbers, stick figures in positions of standing or sitting on the ground, staff, notes, spelled syllables, dots, and wavy lines.
Score of “Test Site 5: Seedlings” by sugar vendil. Photo courtesy of the artist.

Yanira Castro / a canary torsi

I came here to weep (excerpt)

Elsie Management Live Showcases

Date & Time

  • Saturday, January 13th, 11am – 11:30pm

Location

  • New York City Center, Studio 5 at 130 West 56th Street (btwn 6th & 7th Aves)

Experience an excerpt from Yanira Castro’s multimodal, interactive project, I came here to weep. Inviting the public into multiple forms of witnessing and activating the work, I came here to weep is made up of participatory scores with corresponding materials and environments that examine US territorial possession. Supported by a Creative Capital grant, the project was commissioned by and presented at The Chocolate Factory in NYC in fall, 2023.

More info on this Yanira Castro / a canary torsi event

A dark-skinned audience member stands with arms up wrapped in flags that read: sangre revolucionaria, paz and victoria. Their left hand is in a peace sign. Their right hand holds up another flag on a broomstick.
Audience member performing I came here to weep at The Chocolate Factory Theater (2023). Photo: Maria Baranova