November 2025 News


December 11, 2025  •  8 minute read

Reclaiming Artist Mobility as a Human Right

An elevated view from the perspective of the audience looking down at a dozen people who are seated in a wide semicircle on a brightly lit stage. In the foreground are the darkened silhouettes of audience members watching the people on stage talk. In the lower left is a red rectangle with the text "ArtsLink Assembly 2025, NYC" in white. In the lower right is a white circle with thin, overlapping black borders, containing the text "ArtsLink Assembly 2025: Defending Each Other" in black.
“Working Group: Funders/Foundations” at ArtsLink Assembly 2025. Credit: HowlRound video still.

“How can NPN, as a community of relationships, uphold and advocate for mobility as a basic human right rather than a luxury?”

— Stanlyn Brevé, NPN Director of National Programs

In early November on the heels of NPN’s 2025 Conference, Director of National Programs Stanlyn Brevé participated in the ArtsLink Assembly 2025: Defending Each Other. Organized by CEC Artslink and American Freedom Initiative (AFI), this two-day gathering focused on building collective support for artists in the US amid persecution, crisis, and conflict.

Stanlyn’s reflections, shared in her new essay on the NPN blog, weave together the ArtsLink Assembly with sessions from NPN’s conference, including “You Are Not Alone” and “The Future of Artist Mobility”.

Read Stanlyn’s essay“Defending Each Other: Reclaiming Artist Mobility as a Human Right, Reimagining the Future Through Care.”

Watch recordings from Artslink Assembly 2025: Defending Each Other.

Hurricane Melissa Aid Relief for Jamaica

On the left side of the image is the following photo: On a red clay patio with a short brick wall in the background, a dark skinned Jamaican man squats with his hands draped over his knees and stares into the camera. He is wearing dark brown shorts, a sand colored t-shirt with a green design on the front, and a blue baseball cap turned backwards, and he has a simple gold ring on the middle finger of his right hand. Before him on the patio are a collection of roughly hewn wooden bowls and utensils. On the right side of the image is a white box with the following in dark blue text: “Relief + Renewal for Jamaica after Hurricane Melissa.” Below that, in the same dark blue, is the logo for “imagine | evolve.”
Georgie (Jeffett Strachan). Photo by Ania Freer, Jamaican artist + Documentary filmmaker.

Berette Macaulay, “a transcultural, transdisciplinary, transnational spirit” and NPN Creation Fund Artist currently based in Washington State, has compiled a list of fundraisers and drives to support Hurricane Melissa relief efforts for her island home of Jamaica.

To support different types of giving, they’ve provided personally vetted links to individuals in need, people who are actively helping others at home, trusted organizations on the ground, and government agencies.

As Berette says, “In Jamaica we have a couple of sayings ’every mikkle, mek a mukkle’ — and — ’one-one cocoa fill basket’. We embrace the idea that no offering is too small, and we are grateful for whatever is manageable to give because it truly all helps.”

See all initiatives here and please feel free to share.

Learning Practices – “Nourishing Beautiful Connections”

On the left side of the image, in the foreground, is a cropped close-up of the front of card 25, which has a white background and a title in orange text that reads, "Nourishing Beautiful Connections," followed by a quote in orange text, then a block of  brown text that extends beyond the edge of the image. Behind and above it is the cropped close-up of the front of the same card, featuring a background of deep orange that shades into brown at the bottom, with an illustration of dark brown plant vines, some hanging in loops and some straight down, on both the left and right sides of the card. Three fireflies glow bright yellow against the vines. Over this illustration is "25. Nourishing Beautiful Connections" in white text, and underneath in smaller, light orange text is the phrase "Liberating Practices." On the right side of the image, in the foreground, is the text “Mixed Metaphor” in large letters, and underneath that in smaller letters is the text “A Liberatory Infrastructure Learning Deck." In the background, the other cards of the deck are spread horizontally, faces down, in an even distribution.
“Nourishing Beautiful Connections,” card 25 of the Mixed Metaphor deck, guides the viewer through questions of how to build connections that create the culture of the world we want

“Remember: Oppression thrives off isolation. Connection is the only thing that can save us.”
— Yolo Akili

Centering transformational, equitable, deep relationships — ones that have the capacity for nourishing ourselves and each other—creates the conditions for long-lasting collaboration towards racial justice and cultural equity.

Explore this card and others directly on your phone or desktop with our interactive Mixed Metaphor Liberatory Learning Deck.

Reclaiming the Past and Reimagining the Future with Anna Beatrice Scott’s ART+FACT

Anna Beatrice Scott and Earthseed Collective
Anna Beatrice Scott and Earthseed Collective.

In his latest NPN Voices from the Network artist feature, NPN Southern Artists for Social Change awardee Carey Fountain writes about fellow awardee Anna Beatrice Scott and her project, ART+FACT (pronounced “artifact”).

Developed through the Earthseed Collective, ART+FACT, an evolving work in progress, offers a radical reimagining of the historical and cultural narrative of Holly Springs, Mississippi, with hands-on interactive elements and community participation.

“We want people to move through the town, experience the historical sites, and reshape the narrative, empowering those who have been left out of its story,” Scott explains.

Read “Reclaiming the Past, Reimagining the Future” on NPN’s Voices from the Network blog.

Christopher K. Morgan’s The Dulling Effect Urges Audiences to Resist, Reawaken, and Reclaim Their Power

Three barefoot dancers wearing matching costumes of large white jackets with oversized collars, wide black belts, and black leggings, pose on a darkened stage in a scene from The Dulling Effect. One dancer is reclined on the stage and supporting his raised upper body with his right forearm while touching his forehead with his free hand. A second dancer is standing astride the first and leaning forward slightly, one hand on his hip and the other on his knee, as he stares confidently into the distance. The third dancer is behind the other two, extending a hand down one leg while extending the other leg into the air and over her head. Taken together, the trio create a cluster of white fabric and brown skin in the center of the stage, with a gently curving line passing diagonally through the cluster formed by the extended leg in the upper left and the reclining dancer's legs in the lower right part of the frame.
Three figures dancing in The Dulling Effect, a new dance performance by Christopher Morgan and Malashock Dance.

The Dulling Effect, a new dance performance by Christopher K. Morgan and Malashock Dance, draws inspiration from the vibrance and resilience of queer culture, and serves as an act of resistance against recent legislation targeting the trans community and women. But the title, which comes from a 1934 study of radio’s effects on the listener, hints at another aspect of the work: it’s an interrogation of how nearly a century of accelerating technology may have numbed our empathy, engagement, and critical thinking.

Christopher, artistic director of Malashock Dance and a member of NPN’s Board of Directors, says he was intrigued by the way the authors of the 1934 study described the subtle negative effect of radio upon their subjects.

”How might that dulling effect have evolved over the past 90 years,” he asks, ”as technological advancements have permeated nearly every aspect of our lives? Are we, as a society, more disconnected, less engaged, or less capable of critical thought due to the omnipresence of technology?”

Visit NPN’s Voices from the Network blog to read more about The Dulling Effect and watch a micro-documentary on the collaborative processes behind the work.

Announcements

Social Transformation is at the Center of Dance/USA Fellowships

A 4-by-2 grid of eight artist headshots, with the logo for “Dance/USA” centered above them and the text “Round Three Dance/USA Artist Fellows” below them. In the first row, starting from the left, are headshots for Leila Awadallah, Carol Bebelle (aka AKUA), Dakota Camacho, and Yanira Castro. In the second row, starting from the left, are headshots for Kayla Hamilton, Gesel R. Mason, Sage Ni’Ja Whitson, and Pioneer Winter.
Eight of the 25 fellows named in Dance/USA’s latest round are NPN-supported artists. Top, from left: Leila Awadallah (photo by Sabrina Jasmin), Carol Bebelle aka AKUA (photo by Peter Nakhid), Dakota Camacho (photo by Jordan Panuelo), and Yanira Castro (photo by Josefina Santos). Bottom, from left: Kayla Hamilton (photo by Travis Magee), Gesel R. Mason (photo by Joe Frantz), Sage Ni’Ja Whitson (photo by Ryan Landell), and Pioneer Winter (photo by Chantal Lawrie).

Through community-building and culture-bearing, healing and storytelling, activism and representational justice, and more, the Dance/USA Fellowships recognize the wide variety of ways in which artists engage in social transformation through dance.

“We hold deep respect for the radical ways these artists nurture and sustain our communities,” said Haowen Wang, Dance/USA Director of Regranting, acknowledging that these practices often do not fit into established models of arts funding.

The awards honor 25 dance and movement-based artists with sustained practices in art for social change, and are co-designed through ongoing collaboration with artists who bring lived expertise to questions of policy, language, and process. This year’s awardees include NPN-supported artists:

Visit Dance/USA’s website to read the official announcement and learn more about the artists.

2025 Creative Impact Awards Recognize Great Lakes Artists

A grid of headshots or production photos representing the 11 NPN-supported artists included in The Joyce Foundation 2025 Creative Impact Awards. Represented in the top row, from left: Ananya Chatterjea, Andrea Assaf, Aparna Ramaswamy, and Edgar Arceneaux. Represented in the middle row, from left: Emily Johnson,Hannibal Lokumbe, Kaneza Schaal, and Katie Ka Vang. Represented in the bottom row, from left: Marc Bamuthi Joseph, Onye Ozuzu, and Rosy Simas.
The eleven NPN-supported artists included in the 2025 Creative Impact Awards. Top, from left: Ananya Chatterjea (photo by GAddison Visuals), Andrea Assaf, Aparna Ramaswamy, Edgar Arceneaux. Middle, from left: Emily Johnson (photo by Maria Baranova, courtesy of New York Live Arts), Hannibal Lokumbe, Kaneza Schaal (photo by Rolex/Bart Michiels), Katie Ka Vang (photo by Noemi Gonzalez). Bottom, from left: Marc Bamuthi Joseph, Onye Ozuzu (photo by Zachary Whittenburg), Rosy Simas (photo by Imranda Ward).

The Joyce Foundation recently announced their 2025 Creative Impact Awards, honoring artists and organizations who have sparked creativity, artistic growth, and collaboration in Great Lakes communities. Administered by United States Artists, the program awards $10,000 to 60 artists and $5,000 to 57 organizations in unrestricted funds. Among them, NPN-supported artists include:

Visit The Joyce Foundation website to read more about the 2025 Creative Impact Awards.

Grammy Nomination for Amanda Ekery!

Artist Amanda Ekery has received a 2026 Grammy Awards nomination for her NPN Creation Fund project, Árabe, recognized in the Best Album Notes category. This accolade highlights the creativity, warmth, and profound personal history woven throughout the album and its accompanying book. “I’m so honored to receive this nomination and share it with everyone who helped make Árabe possible, including NPN!,” writes Amanda.

“Árabe is a loving exploration of Ekery’s family and heritage, and this nomination is a testament to the meaningful work supported by the NPN Creation Fund,” says Alec De León, NPN Senior Program Specialist. Earlier this year, Amanda wrote an essay for NPN’s Voices from the Network about the project, which invites audiences to explore Syrian and Mexican shared history and culture on the El Paso border.

Read Amanda’s reflection on Árabe on NPN’s Voices from the Network blog, and see the complete list of 2026 Grammy nominations.

Album cover for Árabe by Amanda Ekery. An exterior photo of the dry scrub brush and low hills of the southwestern United States. The artist Amanda Ekery, a light skinned woman with shoulder length dark hair, stands in profile in the center of the image with one foot lifted and placed on a stool. She is wearing a long black dress with sleeves that stop just above the elbow, and dark red and black traditional cowboy boots. The knee and upper calf of her raised leg is visible, and she has a hand resting on her knee.
Album cover for Árabe by Amanda Ekery.

Counting Our Blessings: The Other Katrina Stories

This new collection of essays “is a testament of humanity coming to the rescue, and what happens when empathy and compassion are on full display.” Edited by Carol Bebelle, co-founder of Ashé Cultural Arts Center (and NPN national Partner), the book is a journey through the lives of 41 New Orleanians in the aftermath of Hurricane Katrina.

“In these unbearable times, when the U.S. government has become an agent of cruelty and uncaring, this glorious book, Counting Our Blessings, offers us a more radiant direction,” writes V. (formerly Eve Ensler). “Twenty years post Katrina, this inspirational oral history not only charts the depth of hardship, abandonment, racism and loss, but more importantly it is a manual for how we the people, through our acts of kindness, imagination and solidarity, can transform suffering and make life worth living. We so often focus on the pain, but this heartfelt collection…compel[s] us to be our better selves in the face of all that is coming.”

For more information and where to purchase a copy, visit the University New Orleans Press.

The upper left portion of the image displays the cover of the book Counting Our Blessings, which features an illustration of a single plant with purple flowers bending under heavy rain. The entire right side of the image consists of a photograph of the editor, Carol Bebelle (photo credit by Peter Nakhid). She is a smiling older Black woman who is wearing a purple head wrap adorned with shells and beads, a purple top, and a patterned shawl. A silver necklace featuring the Adinkra symbol "Sankofa" is visible. A vibrant yellow and teal feather is pinned to her shawl. The overall impression is one of warmth, wisdom, and cultural pride. The background is a monochromatic purple illustration of heavy rain created from the artwork shown on the cover of the book.
Counting Our Blessings, edited by Carol Bebelle.

NPN Creation & Development Fund Artist Sage Ni’Ja Whitson Publishes Transtraterrestrial, Exhibits These Walking Glories

NPN-supported interdisciplinary artist Sage Ni’Ja Whitson recently published Transtraterrestrial: Dark Matter and Black Divinities with Wesleyan Press and mounted a solo exhibition, These Walking Glories, at the California African American Museum (CAAM) — building on their 2020 Creation & Development Fund project The Unarrival Experiments.

Transtraterrestrial is an experimental book documenting Whitson’s groundbreaking performance pieces through letters, poems, photographs, and speculative writings. Premiering at CAAM, These Walking Glories presents a portion of Whitson’s Illumination Catalogue, an ambitious ceremony series and archive grieving Black trans losses and celebrating Black trans living.

The exhibition is curated by Cameron Shaw — former writer, editor, and Executive Director of Pelican Bomb, a now-sunset nonprofit that was a cultural leader in post-Katrina New Orleans, and that NPN fiscally sponsored during its formative years. We are delighted by the kismet of artists from different decades and paths of NPN support discovering organic collaborations.

We encourage people to get a copy of Sage Ni’Ja Whitson’s Transterrestrial: Dark Matter and Black Divinities while copies are available and to see their solo exhibition These Walking Glories in Los Angeles before it closes April 6, 2026.

Congrats, Sage!

Digital illustration of a three-dimensional oblong shape that appears to be made up of thick strokes of semi-reflective black or dark gray paint. Above this shape in small white uppercase is the title, “Transtraterrestrial: Dark Matter and Black Divinities.” In the center of the image, positioned over the ball of paint strokes, in white uppercase is the text, “The Unarrival Experiments.” Below the shape in all white uppercase is the text, “Sage Ni’Ja Whitson.”
Transtraterrestrial: Dark Matter and Black Divinities by Sage Ni’Ja Whitson.

What We’re Reading

A collage of pink dollar bills, an upside-down yellow bag of money with a large dollar sign printed on it, a dark pink envelope with the flap lifted and party invitation partially visible, and stacks of gold coins in a row, against a background of pink, yellow, and white confetti on dark gray. A large semi-transparent pink box is overlaid on this image, and it features three components: first, the logo for the website Convergence; next, the article title, “Fundraising Can Be Organizing — If We Let It”; and third, a black and white headshot of the author inside a dark pink circle next to the text, “By Haley Bash.”

Each month, NPN’s staff and board engage with a reading that helps shape our analysis of our sociopolitical landscape and deepen our understanding of how to embed liberatory practices throughout our work. The Collective Learning Series is organized by NPN’s Department of Racial Justice and Movement Building (DRJaM).

In November, we read “Fundraising Can Be Organizing – If We Let It” by Haley Bash in Convergence.

Convergence is a magazine for radical insights, working with organizers and activists on the frontlines of today’s most pressing struggles to produce articles, videos, and podcasts that sharpen our collective practice by lifting up stories from the grassroots and making space for reflection and study. The community of readers, viewers, and content producers are united in purpose: winning multi-racial democracy and a radically democratic economy.

Past Issues

Newsletter Sign Up

Get the latest on events, stories, opportunities, and projects from across the network.

Your personal data will be managed respectfully and responsibly, in accordance with our privacy policy.