Bvlbancha Public Access:

Amplifying Indigenous Voices in the Gulf South

By Carey Fountain

 •  4 minute read

Bvlbancha Public Access logo
Logo for Bvlbancha Public Access.

Southern Artists for Social Change awardee Carey Fountain writes about fellow awardee Bvlbancha Public Access.

Hali Dardar of the United Houma Nation, Ida Aronson of the United Houma Nation, and Jean Luc-Pierite of the Tunica-Biloxi tribe are leading artistic projects to reflect on the continued Indigenous presence in the Gulf South. Their project, Bvlbancha Public Access, launched in 2021, is a vibrant media group dedicated to amplifying Indigenous voices in the Gulf South. The name “Bulbancha,” derived from the Choctaw word for “the place of many tongues,” reflects the project’s mission to celebrate and amplify Indigenous culture.

The heart of Bvlbancha Public Access lies in its community-driven ethos. The project is shaped by the voices and visions of the Indigenous people it represents. The collective began out of their work developing Unrecognized Stories in 2020. This project  involved commissioning Indigenous thought leaders for in-depth conversations. These dialogues led by Indigenous interviewers provided a platform for voices that were contemporary, relevant, and open-access. The project contextualized the Indigenous experience as a contemporary one within Gulf South culture. This program not only highlighted the rich cultural heritage of Gulf South Indigenous communities but also underscored the ongoing concerns and ideas of its thinkers.

A grid of four screens during a video conference. The upper left quadrant shows a man with long brown hair, glasses, and a medium-length white beard. The upper right quadrant is empty but for an unidentified logo on a turquoise circle. The bottom left quadrant shows a woman with dark hair pulled back with a headband. The bottom right quadrant shows a man with a mustache and glasses wearing a cap and blue headphones.
Robert Caldwell of the Choctaw-Apache Tribe of Ebarb (upper left) being interviewed by Hali Dardar (lower left) and Jeffery Darensbourg (lower right) with support from Ida Aronson as part of the Unrecognized Stories project which lead to the formation of Bvlbancha Public Access.

Bvlbancha Public Access aims to create a space where Indigenous people in the Gulf South can see and recognize themselves. It also serves as an educational resource for the general public, fostering greater understanding and appreciation of Indigenous cultures. The project’s success is measured by the relationships it builds across tribes, regions, and to the broader public.

Projects like the Indigenous Gulf Stream, a media biennial featuring 24-hours of content from Gulf South artists displays the collective at their best. By commissioning work from local artists and thought leaders, they ensure that the project remains rooted in the community’s needs and aspirations. This approach supports artists financially, and wefts the cultural fabric of the project. Despite facing challenges, particularly in securing consistent funding, the Bvlbancha Public Access team have found innovative ways to continue to compensate artists.

Dardar emphasized the importance of collective effort in the success of Bvlbancha Public Access. The project operates as a net, where each person is a vital cord that holds the structure together. This collective vision is crucial, especially in a project that seeks to represent and uplift a diverse community. This mindset has allowed Bvlbancha Public Access to grow organically, with each member contributing to its evolution.

A particularly poignant moment in the project’s journey was their response to Hurricane Ida in 2021. Leveraging their network, they provided crucial support to Indigenous communities affected by the storm. This immediate and compassionate response highlighted the project’s role not just as a cultural platform, but as a contributor to local vitality.

The future of their organization is filled with promising initiatives. The third Indigenous Gulf Stream, will take place Fall 2025. Along with this continued work, the team is growing to support new projects and ideas. Pierite is spearheading a reconstruction of the 1814 play titled La Fête Du Petit Blé Ou L’héroïsme De Poucha-Houmma, which aims to incorporate multiple languages and cultural elements from the Gulf South. The slow-design endeavor seeks to reflect the area’s rich history and contemporary Indigenous presence, reinforcing the project’s core mission of celebrating linguistic and cultural diversity.

Four actors perform a dramatic reading of the original script of La Fête Du Petit Blé Ou L'héroïsme De Poucha-Houmma at dawn at Nanih Bvlbancha. Three of the actors are sitting on blankets, and the fourth is sitting in a folding chair. There is a lamp between them and they are looking down at their scripts. Behind them is an irregular fence made out of rough-hewn branches and thin logs.
Bvlbancha Public Access staging a dramatic reading of the original script of La Fête Du Petit Blé Ou L’héroïsme De Poucha-Houmma at dawn at Nanih Bvlbancha. This reading will serve as the baseline for new interpretations. Clockwise from left: Ozone 504, Jean-Luc Pierite, Ida Aronson, and Hali Dardar. Photo: Denise Fraiser.

Bvlbancha Public Access stands as a beacon of hope and inspiration. Through their innovative programs and unwavering commitment to community-driven storytelling, the team is not only preserving the past but is actively shaping the future of Indigenous identity in the Gulf South. Their work is a powerful reminder of the strength found in collective effort and the importance of uplifting marginalized voices.

About Carey Fountain

Carey Fountain’s artistic journey began with writing songs at the age of 11 and composing music soon after. Fountain works as a multidisciplinary artist and community organizer, working to build community through discourse and relationships that explore the human perception and how an informed perspective can transform identity. Fountain works as a musician, painter, muralist, videographer, photographer, clothing designer through his brand Vibes & Virtues and as the Manager of Public Programs at the Birmingham Museum of Art where he creates dynamic, inclusive programs at the Museum to support the BMA’s role as a vibrant and vital community resource.

Photo of Carey Fountain