January 2025 News


February 3, 2025  •  7 minute read

Apex Predators & Philanthropy in Times of Crisis

Colorful graphic recording of the closing keynote, featuring vibrant characters and abstract elements. On the left, a woman and a man are depicted pouring golden coins from bowls, symbolizing generosity or sharing. In the center, a tree with heart-shaped leaves is tended by two figures, one reaching up to touch a heart-shaped leaf and another holding a large heart. The background includes abstract shapes, silhouettes of people, and layered urban elements like buildings. Between and on top of the various elements are blocks of text that capture the contents of the closing keynote. At the bottom is the text "Closing Keynote: Being Called In: Philanthropy in the Times of Crisis." Beneath that is the artist credit, which reads, "Drawn by Urban Wild Studio." The overall design is dynamic and engaging, with a mix of warm and cool tones.
Detail of graphic recording by Urban Wild Studio for the Granmakers in the Arts 2024 conference closing keynote, “Being Called In: Philanthropy in the Times of Crisis.”

“It is not illegal to invest in Black people,” Susan Taylor Batten, President & CEO of ABFE (an association of Black philanthropy professionals), reminded attendees at Grantmakers in the Arts’ recent conference in Chicago. Susan was joined by Amber Hamilton, President and CEO of Memphis Music Initiative, and Kashif Shaikh, Co-Founder and President of the Pillars Fund, for the closing keynote “Philanthropy in the Times of Crisis”. The session took place amidst the political backdrop of the U.S. election, the ongoing genocide in Gaza, the Supreme Court’s decision on Affirmative Action, and attacks on DEI initiatives, and called on funders to resist the “apex predators” — those forces within our institutions (and ourselves) that keep us mired in the status quo.

Kashif and Susan both shared their journeys in speaking truth to power and choosing bravery in the face of hopelessness. Hamilton challenged the attendees — more than 600 arts funders from private and public institutions across the U.S. — to commit to the “slow, deep, irreversible” work to transform our sector toward justice. Her finale speech brought the crowd to tears, laughter, and to its feet, for its candor and urgency. “You got into this because you wanted to do good in your world,” Hamilton said. “Not because you want to shuffle paperwork, not because you want to help people hoard wealth, not because you wanted to be a gatekeeper between the money and the people.”

NPN’s presence at the conference included Stephanie Atkins, Director of Southern Programs; Stanlyn Brevé, Director of National Programs; Sage Crump, Director of Racial Justice & Movement Building; and Caitlin Strokosch, President & CEO (and former GIA board member).

Read more about the keynote and view a colorful graphic recording of it on the GIA website.

LA Fire Relief: Emergency Grants + Other Resources

Artists and arts workers impacted by the Los Angeles fires can now apply for an emergency grant from the LA Arts Community Fire Relief Fund. Administered by the Center for Cultural Innovation, the Fund has been created by a coalition of foundations, arts organizations, and philanthropists to award one-time grants of unrestricted funds up to $10,000. The deadline for applying is February 18th, 2025, at 5:00 p.m. PST. Apply at www.cciarts.org/relief.html.

For more resources, including lists of other emergency grant opportunities, check out the LA Fires Relief + Arts Resource Hub at Giarts.org.

NPN On the Road: Facing Race — Our Power, Our Solutions

Two performers in traditional Mexican attire dancing on a blue-lit stage under bright lights. The woman is wearing a red headscarf and a ruffled yellow dress with red, green, orange and purple stripe accents. The man wears a black or dark blue charro suit with intricate embroidery and a wide-brimmed sombrero. The background features blurred lights and another performer in the distance.
Two Mexican dancers perform on stage at Facing Race, the nation’s largest multiracial and intergenerational racial justice conference, organized by Race Forward.

In November, NPN sent a five-person delegation to Facing Race, the nation’s largest multiracial and intergenerational racial justice conference, organized by Race Forward. Since making racial justice explicit to NPN’s mission in 2017, we’ve sought out spaces that uplift racial justice work beyond the arts, building our connections and practices in new ways.

This year’s conference theme was “Our Power, Our Solutions,” to highlight the social justice movement’s capabilities and strength.  “Despite the shifting conditions of the political landscape, the fact of the matter is that this movement has power,” said Leslie Grant-Spann, Race Forward’s senior director of conferences and convenings.

We found reassurance and inspiration at the conference. “[It] made me feel hopeful,” said Stephanie Atkins, NPN’s Director of Southern Programs. “I was reminded how many of us are working to address injustice.” Addam Garrett, NPN’s Director of Operations, returned with a greater commitment to center relationship-building in NPN’s upcoming Annual Conference in October.

Brittany Dudley, NPN’s Data Management and Fiscal Sponsorship Associate, learned practical strategies for navigating the current political landscape. And Sage Crump, NPN’s Director of Racial Justice & Movement Building, was able to engage with comrades outside the arts and develop new collaborations. 

Read more about the conference

Announcing the Fall 2024 Development Fund Awardees

Promotional graphic for the 2024 Fall Development Fund Awardees by the National Performance Network, featuring four images of artists and groups against a textured, circular abstract background. The top left image shows Nejla Yatkin performing under warm, dramatic lighting with arms raised. The top right image features the Pioneer Winter Collective in a black-and-white photo, with two individuals in an expressive pose, one cradling the other. The bottom left image depicts San Cha standing confidently in an ornate gown amidst tall white columns. The bottom right image shows Dora Arreola & Mujeres en Ritual Danza-Teatro, a group of women dressed in black with wide-brimmed hats, posing together in a layered arrangement. The text reads "2024 Fall Development Fund Awardees" with the National Performance Network logo at the bottom left.

The National Performance Network (NPN) is pleased to award $40,000 and leverage $185,000 through the Fall 2024 Development Fund to further support four Creation Fund projects that advance racial and cultural justice. Congratulations to Pioneer Winter Collective, Nejla Yatkin, San Cha, and Dora Arreola & Mujeres en Ritual Danza-Teatro!

Read more about their works here

Documenting Anti-Palestinian Repression in the Art World

Collage of diverse artworks arranged in a grid.
Art that has been removed from public display for reasons related to the political rift in the art world around Israel and Palestine since October 7, 2023 (edit Hyperallergic)

The arts journalism site Hyperallergic recently published “Things Not Seen,” documenting repression and censorship of artists and arts organizations who have critiqued Israel’s genocide in Gaza or expressed support for Palestinian liberation.

“Denying artists platforms due to their solidarity with Palestine dovetails with a broader project aimed at eroding the possibilities for challenging authority,” write Hrag Vartanian (Hyperallergic’s co-founder and Editor-in-Chief) and Valentina Di Liscia (News Editor). “Between institutional censorship and principled artistic refusal, exhibitions mounted since October 2023 have been meaningfully shaped by work not shown.”

Read more at Hyperallergic

NPN & Artists U Launch Artist Share — Join Us!

NPN and Artists U are launching an online Artist Share series, designed for presenters, curators, funders, and artists to learn about artists’ work. Starting in February, this Tuesday evening series launches with three sessions featuring three artists each (2/4, 2/11, and 2/18, 6-7pm ET).

These are not pitch sessions, but rather a chance to get close to each artist’s practice, intentions, and questions. For the past three years, NPN and Artists U (led by artists Andrew Simonet and Michaela Pilar Brown) have been building conversations with NPN artists as a form of community organizing — artists share challenges and strategies for sustaining their lives, their art, and their communities.

“We don’t ‘help’ or ‘fix’ artists,” write Andrew and Michaela. “Artists are brilliant problem solvers who create world-changing work in intensely under-resourced conditions. Often, we artists are not even aware of our profound insights into work, balance, community, and money until we say them out loud.” Growing out of these peer-to-peer conversations, NPN and Artists U are now expanding the circle to invite others to learn about artists’ new work, struggles, and solutions.

Please join us in February and RSVP here!

Announcements

First Peoples Fund announces 2025 Native Performing Arts Program Fellows and Grantees

Graphic from the First Peoples Fund featuring three Native artists and their awards. On the left, Rosy Simas of the Seneca Nation is shown with her hands clasped, labeled as a recipient of the Native Performing Arts Fellowship. In the center, Anthony Hudson, a member of the Enrolled Confederated Tribes of Grand Ronde, Confederated Tribes of Siletz descendant, is depicted with a split image of their face, half in drag makeup, also labeled as a Native Performing Arts Fellowship recipient. On the right, Emily Johnson of the Yup'ik Nation, Native Village of Napaimute, is shown in motion with windblown hair, labeled as a recipient of the Native Performing Arts Production Grant. The First Peoples Fund logo is at the top of the graphic.
Recipients of First Peoples Fund grants. Starting from left: Rosy Simas, Anthony Hudson, and Emilh Johnson. 

Three NPN-supported artists — Rosy Simas, Anthony Hudson, and Emily Johnson — have been named as part of the inaugural cohort of Native Performing Art Fellows and Production Grantees from First Peoples Fund.

The Native Performing Arts (NPA) program is designed to support Native performing artists in developing and enhancing their artistic skills and knowledge.

“We’re witnessing a remarkable surge in Native performing arts and productions across the country — a vibrant continuation of our traditions of storytelling, music, dance, and performance,” says Justin Kíí Huenemann (Diné), President and CEO of First Peoples Fund. “We’re thrilled to launch our first dedicated funding to support Native performing artists and their work.” Congratulations to all of the fellows and grantees!

Creation Fund Activities during February

Praise Music Sonogram, Julia Barbosa Landois

February 6th, 7th, & 8th, 7:00 pm CST
February 8th has an artist talkback after the performance.
Matchbox 1 (The Emily Todd Theater) at MATCH (Houston, TX)

Praise Music Sonogram is a multidisciplinary performance by Julia Barbosa Landois that combines spoken word, video, and experimental sound to tell a story of motherhood, miscarriage, and abortion access across national and state borders. Contrasting an unexpected experience in a European haven for healthcare seekers with the medical scarcity and the 2022 overturning of Roe v. Wade in the U.S., Barbosa Landois delivers a narrative that is both deeply personal and unexpectedly comedic.

Learn more about Praise Music Sonogram

Promotional art for Praise Music Sonogram performed by Julia Barbosa Landois, presented by Diverse Works.

Arms Around America, Dan Froot & Company

February 20th & 21st, 8:00 pm EST
MDC North Campus, Lehman Theater (Miami, FL)

Miami Light Project and Live Arts Miami present Dan Froot & Company’s Arms Around America, an evening of short plays based on the oral histories of families around the country whose lives have been shaped by guns.

Learn more about Arms Around America

Four performers on a stage strewn with cords, papers, and bags. There are two long tables covered in blue plastic. At the table on the left, a man holding a microphone sits behind two open laptops. At the table on the right, a man is standing and holding two long slats of wood in a way that suggests he is banging them together. In the background, a drummer and a guitarist are performing.
Dan Froot & Company performing Arms Around America.

National tour of Ouroboros, Nejla Yatkin

February 28th, 8:00 pm EST
Studio5 (Evanston, IL)

Guggenheim Fellow and award-winning choreographer Nejla Yatkin will embark on a five-city national tour of her acclaimed solo work, Ouroboros, starting February 28th, 2025 in Evanston, with additional stops this spring in Washington, DC; Boston; Tampa; and Houston. Ouroboros is a powerful theatrical solo dance performed in the round that combines movement, live music, and storytelling, and invites the audience to engage with its exploration of paradoxes, cycles, and transformation.

Learn more about Ouroboros

Overhead performance shot of Nejla Yatkin bathed in red light and sitting with her legs folded under her in a pile of rose petals. She is wearing a colorful patterned garment and a headscarf, and holding more rose petals above her head so that they fall gently onto her face. Two large petals rest on her cheek and partially obscure one eye.
Nejla Yatkin performing in Ouroboros.

What We’re Reading

Portrait of Amílcar Cabral smiling. He is wearing glasses and a patterned knit cap, and is dressed in a light-colored shirt with the collar slightly open to reveal a white undershirt. The background is softly blurred, showing other individuals and greenery, suggesting an outdoor setting. The man’s expression conveys warmth and approachability.
Amílcar Cabral.

Each month, NPN’s staff and board engage with a reading that helps shape our analysis of our sociopolitical landscape and deepen our understanding of how to embed liberatory practices throughout our work.

The Collective Learning Series is organized by NPN’s Department of Racial Justice and Movement Building (DRJAM). While we dig into new texts each month, we begin each year with a touchstone: Amilcar Cabral’s 1969 essay, “Tell no lies, Claim no easy victories…”.

“When it comes to writing and practicing how creating a liberated society requires an understanding and engagement of culture, there are few who stand as tall as Cabral,” says Sage Crump, DRJAM’s Director.

Read the essay